Lex

Browse

GenresShelvesPremiumBlog

Company

AboutJobsPartnersSell on LexAffiliates

Resources

DocsInvite FriendsFAQ

Legal

Terms of ServicePrivacy Policygeneral@lex-books.com(215) 703-8277

© 2026 LexBooks, Inc. All rights reserved.

The Devil's Elixir, Vol. 2 (of 2)

1815

E. T. A. Hoffmann

Read

The Devil's Elixir, Vol. 2 (of 2)

E. T. A. Hoffmann

1815

German Literature, Novels

Translated by R. P. (Robert Pearse) Gillies

The Devil's Elixir, Vol. 2, written by E. T. A. Hoffmann and first published in 1815, is a gothic novel that follows Medardus, a tormented monk entangled in a deadly mystery. As he journeys toward Rome, he grapples with his identity and the haunting presence of his murderous doppelganger. The narrative intricately weaves themes of love, despair, and the struggle against fate, culminating in Medardus's quest for redemption while evading sinister forces. Hoffmann's work is notable for its exploration of the human psyche and the interplay between destiny and free will.

Project Gutenberg

A novel written in the early 19th century. This work marries themes of love, despair, and the struggle against fate, cen...

Goodreads

The charismatic monk Medardus becomes implicated in a deadly mystery against his will. As he travels towards Rome he wre...

3.8(3K)

Editions

Ebooks1
The Devil's Elixir, Vol. 2 (of 2)
The Devil's Elixir, Vol. 2 (of 2)Current
Project Gutenberg · 252 pages
EPUB

X-Ray

“The whole day, the whole night –nothing but the thought of her.””

— E. T. A. Hoffmann

“A gentle warmth spread through my body and I felt a strange tingling in my veins. Feeling turned to thought, but my character seemed split into a thousand parts; each part was independent and had its own consciousness, and in vain did the head command e limbs, which, like faithless vassals, would not obey its author The thoughts in these separate parts now started to revolve like points of light, faster and faster, forming a fiery circle which became smaller as the speed increased, until it finally appeared like a stationary ball of fire, its burning rays shining from the flickering flames. “Those are my limbs dancing; I am waking up.” Such was my first clear thought, but a sudden pain shot through me at that moment and the chiming of bells sounded in my ears.“Flee! Flee!” I cried aloud. I could now open my eyes. The bells continued to ring. At first I thought I was still in the forest, and was amazed when I looked at myself and the objects around me. Dressed in the habit of a Capuchin, I was lying stretched out on comfortable mattress in a lofty room; the only other items of furniture were a few cane-chairs, a small table and a simple bed. I realized that my unconsciousness must have lasted some time and that in some way or other I had been brought to a monastery which offered hospitality to the sick; perhaps my clothes were torn and I had been given this habit for the time being.””

— E. T. A. Hoffmann

“He was wearing a purple cloak over his shoulders in a strange, foreign fashion, his arms folded inside it. His face was deathly pale, but as his great black eyes stared at me, a dagger seemed to pierce my heart. A feeling of horror ran through me, and quickly turning my face away, I summoned all my strength and continued speaking. But as though compelled by some magic force, I could not help looking over towards him again and again. He still stood there, impassive and motionless, his ghostly eyes fixed upon me. Something resembling bitter scorn and hatred lay on his high, furrowed brow and his drawn lips. The whole figure had a horrible, frightening air about it. It was... it was the mysterious painter from the Holy Linden.Cruel, icy fingers clutched at my heart. A fearful sweat on my forehead; my phrases stuck in my throat, and my speech became more and more incoherent. But the terrible stranger still leant silently against the pillar, his glassy eyes set unwaveringly on me.””

— E. T. A. Hoffmann

“You will learn of the relationship between the various strange destinies which plunged you at one moment into a higher realm of miraculous visions and at the next into the most commonplace of worlds. It is said that the miraculous has vanished from the earth, but I do not believe it. The miracles are still there, for even if we are no longer willing to call by that name the most wonderful aspects of our daily life, because we have managed to deduce from a succession of events a law of cyclic recurrence, nevertheless there often passes through that cycle a phenomenon which puts all our wisdom to shame, and which, in our stupid obstinacy, we refuse to believe because we are unable to comprehend it.””

— E. T. A. Hoffmann

“Where is the man who has not felt in his breast the wonderful mystery of love? Whoever you may be who come to read these pages - call to mind that noontide of supreme happiness, behold once more that image of angelic beauty, the spirit of love itself, as she came to meet you; it was through her, through her alone, that you seemed assured of your own higher existence. Do you recall how the bubbling springs, the rustling bushes, the caressing evening breezes told so clearly of her love? Can you still picture the flowers that turned their gentle, shining eyes upon you, bringing kisses and words of endearment from her? And she came, yielding to you utterly. You embraced her with burning desire, and thought to rise above the pettiness of earth in the flame of your fervent longing. But the miracle did not happen; you were forced back to earth just as you were about to soar with her to the distant promised land. You had lost her even before you had dared to hope; the voices, the beautiful sounds had all died away, and only the despairing lamentation of the lonely soul was heard in the cruel wilderness.””

— E. T. A. Hoffmann

“Yet although I could not resist doing so, my sleep was not interrupted. The door opened and a dark figure entered whom I recognized to my horror as my own self in Capuchin robes, with beard and tonsure. The figure came nearer and nearer my bed: I lay motionless, and every sound I tried to utter was stifled in the trance that gripped me. The figure sat down on my bed and leered mockingly at me.“You must come with me,” it said. “Let us climb on to the roof beneath the weathercock, which is playing a merry tune for the owl's wedding. Up there we will fight with each other, and the one who pushes the other over will become king and be able to drink blood.”I felt the figure take hold of me and lift me up. With a strength born of desperation I screamed: “You are not me, you are the Devil!” - and clawed at the face of the menacing spectre. But my fingers went through his eyes as if they were empty cavities, and the figure burst into strident laughter.””

— E. T. A. Hoffmann

“I resolved to make the fullest use of the power within me and describe as with a magic wand the circles within which all life around me should dance for my delight.””

— E. T. A. Hoffmann

“It may even be that, as you look more closely, to recognize the hidden seed which, born of a secret union, grows into a luxuriant plant and spreads forth into a thousand tendrils, until a single blossom, swelling to maturity, absorbs all the life-sap and kills the seed itself. [...] I came to feel that what we call simply dream and imagination might represent the secret thread that runs through our lives and links its varied facets; and that the man who thinks that, because he has perceived this, he has acquired the power to break the thread and challenge that mysterious force which rules us, is to be given up as lost.””

— E. T. A. Hoffmann

“Was she then to be lost to me? Nay, for as she left this vale of sorrows, she had kindled the eternal love that now glowed within me. I now know that her death was the consummation of that love which, as she had told me, rules above the stars and has nothing in common with the things of earth. Such thoughts as these lifted me above my earthly self, and these days in the convent were truly the most blissful of my whole life.””

— E. T. A. Hoffmann

Across the web

aggregate ratings
Goodreads3.783.2k ratings↗

More books from this author

E. T. A. Hoffmann
E. T. A. Hoffmann
1776-1822

German Romantic writer known for his fantastical tales and influence on Gothic literature.

Master Flea

E. T. A. Hoffmann

Master Flea

The SerapionBrethren,Vol. I.

1819

E. T. A. Hoffmann

Weird Tales.Vol. 1 (of2)

1885

E. T. A. Hoffmann

Weird Tales,Vol. 2 (of2)

E. T. A. Hoffmann

The SerapionBrethren,Vol. II

1819

E. T. A. Hoffmann

The Devil'sElixir, Vol.1 (of 2)

1815

E. T. A. Hoffmann

Specimens ofGermanRomance;Vol. II....

E. T. A. Hoffmann

Shelves with this book

right arrow
Wuthering Heights
Jane Eyre: An Autobiography
The Devil'sElixir, Vol.2 (of 2)1815E. T. A. Hoffm...

Gothic Romance

101 books
Grimms' Fairy Tales
Thus Spake Zarathustra: A Book for All and None
The Devil'sElixir, Vol.2 (of 2)1815E. T. A. Hoffm...

New bookshelf #1

921 books

More books like this

right arrow

Thus SpakeZarathustra:A Book forAll and None

Friedrich Wilhelm Nietzsche

Thus Spake Zarathustra: A Book for All and None

The ProseWritings ofHeinrichHeine

Heinrich Heine

Atlantis

Gerhart Hauptmann

GermanFiction

Theodor Fontane

Translationsof GermanPoetry inAmerican...

Edward Ziegler Davis

The GermanClassics oftheNineteent...

Unknown

The German Classics of the Nineteenth and Twentieth Centuries, Volume 11masterpieces of German Literature Translated into English

The GermanClassics oftheNineteent...

Unknown

The Maid ofOrleans: ATragedy

1835

Friedrich Schiller

Hero Talesand Legendsof the Rhine

1874

Lewis Spence

The Childrenof the World

Paul Heyse

The Wish: ANovel

1884

Hermann Sudermann

AphorismenZurLebensweis...

1890

Arthur Schopenhauer

Aphorismen Zur Lebensweisheit

An Old Storyof MyFarming DaysVol. 2 (o...

Fritz Reuter

Fires of St.John: ADrama inFour Acts

Hermann Sudermann

John theBaptist: APlay

1909

Hermann Sudermann

GeflügelteWorte: DerCitatensch...Des...

Georg Büchmann

Geflügelte Worte: Der Citatenschatz Des Deutschen Volkes