The Daisy Chain, or Aspirations
1856
When Ethel May, a bookish and unconventional girl, bursts into her family's drawing room demanding to help a destitute family, she sets in motion a chain of events that will test the bonds of kinship and the limits of female ambition in Victorian England. Yonge's 1856 masterpiece follows the May sisters as they navigate the delicate terrain between childhood dreams and adult responsibilities, between personal aspirations and family duty. Ethel, the awkward intellectual whose love of learning sets her apart, must reconcile her hunger for knowledge with the expected paths open to young women of her station. Through the daily dramas of sibling rivalry, first love, and spiritual questioning, Yonge constructs an intimate portrait of a household where every small decision carries moral weight. The novel pulses with the particular urgency of mid-Victorian life: the excitement of new ideas, the weight of religious conviction, and the slowly shifting possibilities for women. This is the book that quietly invented the modern girl heroine, paving the way for Jo March and Anne Shirley by showing that a protagonist could be awkward, ambitious, and deeply human without ever needing to be polished.
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“And, for her father, it seemed as if it were a home-like, comfortable thought to him, that her mother had one of her children with her. He called her the first link of his Daisy Chain drawn up out of sight; and, during the quiet days that ensued, he seemed as it were to be lifted above grief, dwelling upon hope.””
— Charlotte M. Yonge
“Papa,” said Ethel, “will you lend me a pair of spectacles for the walk?”“And make yourself one, Ethel,” said Flora. “I don’t care”
— Charlotte M. Yonge
“I think,” said Ethel, breaking in, “the philosophy is this: I believe that it is a trying life. I know teaching takes a great deal out of one; and loneliness may cause tendencies to dwell on fancied slights in trifles, that might otherwise be hurried over. But I think the thing is, to pass them over, and make a conscience of turning one’s mind to something fresh”
— Charlotte M. Yonge
“And, you know, we are all in the same keeping. The sea is a glorious great pure thing, you know, that man cannot hurt or defile. It seems to me,” said Ethel, looking up, “as if resting there was like being buried in our baptism-tide over again, till the great new birth. It must be the next best place to a churchyard. Anywhere, they are as safe as among the daisies in our own cloister.””
— Charlotte M. Yonge
“What I mean is, that the real gladness of life is not in these great occasions of pleasure, but in the little side delights that come in the midst of one’s work, don’t they, papa? Why is it worth while to go and search for a day’s pleasuring?” “Ethel, my child! I don’t like to hear you talk so,” said Dr. May, looking anxiously at her. “It may be too true, but it is not youthful nor hopeful. It is not as your mother or I felt in our young days, when a treat was a treat to us, and gladdened our hearts long before and after. I am afraid you have been too much saddened with loss and care”
— Charlotte M. Yonge
“I mean that memory and association come before comprehension, so that one ought to know all good things”
— Charlotte M. Yonge
“I always read a bit every morning. To-day it was, ‘Of four things that bring much inward peace’. And what do you think they were?”
— Charlotte M. Yonge
“She pays people for sending their children to school, and keeping their houses tidy; and there is so much given away, that it is enough to take away all independence and motive for exertion. The people speculate on it, and take it as a right; by-and-by there will be a reaction”
— Charlotte M. Yonge
“I don’t know, but I thought they were the best sort of gifts, for I saw that plenty of kind thought and clever contrivance went to them, ay, and some little self-denial too.” “Papa, you look as if you meant something; but ours are nothing but nasty old rubbish.” “Perhaps some fairy, or something better, has brought a wand to touch the rubbish, Blanche; for I think that the maidens gave what would have been worthless kept, but became precious as they gave it.” “Do you mean the list of our flannel petticoats, papa, that Mary has made into a tippet?” “Perhaps I meant Mary’s own time and pains, as well as the tippet. Would she have done much good with them otherwise?” “No, she would have played. Oh! then you like the presents because they are our own making? I never thought of that. Was that the reason you did not give us any of your sovereigns to buy things with?” “Perhaps I want my sovereigns for the eleven gaping mouths at home, Blanche. But would not it be a pity to spoil your pleasure? You would have lost all the chattering and laughing and buzzing I have heard round Margaret of late, and I am quite sure Miss Rivers can hardly be as happy in the gifts that cost her nothing, as one little girl who gives her sugar-plums out of her own mouth!” Blanche clasped her papa’s hand tight, and bounded five or six times. “They are our presents, not yours,” said she. “Yes, I see. I like them better now.””
— Charlotte M. Yonge
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Yonge, Charlotte M.. The Daisy Chain, or Aspirations. Lex, lex-books.com/book/the-daisy-chain-or-aspirations-5194dac7-4851-46ad-9f85-eecd98913aba.Yonge, C. M. (1856). The Daisy Chain, or Aspirations. Lex. https://lex-books.com/book/the-daisy-chain-or-aspirations-5194dac7-4851-46ad-9f85-eecd98913abaYonge, Charlotte M.. The Daisy Chain, or Aspirations. Lex. https://lex-books.com/book/the-daisy-chain-or-aspirations-5194dac7-4851-46ad-9f85-eecd98913aba.















