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Tales and Novels — Volume 03: Belinda

1836

Maria Edgeworth

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Tales and Novels — Volume 03: Belinda

Maria Edgeworth

1836

British Literature, Novels, Romance

Maria Edgeworth wrote with a scalpel, not a pen. Belinda, her 1801 novel (here in its 1836 collected edition), dissects the marriage market with the precision of a surgeon and the wit that rivals Austen at her sharpest. Belinda Portman, young and accomplished, finds herself dispatched from her aunt's watchful eye into the glittering, treacherous world of Lady Delacour's London salon. What awaits her is not the triumph of fashion but a house of cards: Lady Delacour's glamorous exterior hides a marriage in ruins, festering secrets, and a desperation that will test Belinda's own moral compass. As reputation proves more fragile than silk and happiness more elusive than a titled husband, Belinda must choose between the easy path of compromise and the harder road of integrity. Edgeworth's genius lies in her refusal to offer easy answers; instead she gives us a heroine who thinks, errs, and ultimately decides her own fate.

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A collection of fictional narratives written during the mid-19th century. This volume contains the novel ''Belinda,'' wh...

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“What a treasure, to meet with any thing a new heart-- all hearts, nowadays, are secondhand at best.””

— Maria Edgeworth

“Clarence Hervey might have been more than a pleasant young man, if he had not been smitten with the desire of being thought superior in every thing, and of being the most admired person in all companies. He had been early flattered with the idea that he was a man of genius; and he imagined that, as such, he was entitled to be imprudent, wild, and eccentric. He affected singularity, in order to establish his claims to genius. He had considerable literary talents, by which he was distinguished at Oxford; but he was so dreadfully afraid of passing for a pedant, that when he came into the company of the idle and the ignorant, he pretended to disdain every species of knowledge. His chameleon character seemed to vary in different lights, and according to the different situations in which he happened to be placed. He could be all things to all men”

— Maria Edgeworth

“I wish," said the old lady, "for her own sake, for the sake of her family, and for the sake of her reputation, that my lady Delacour had fewer admirers, and more friends.""Women, who have met with so many admirers, seldom meet with many friends," said lady Anne."No," said Mrs. Delacour, "for they seldom are wise enough to know their value.""We learn the value of all things, but especially of friends, by experience," said lady Anne, "and it is no wonder, therefore, that those who have little experience of the pleasures of friendship should not be wise enough to know their value.””

— Maria Edgeworth

“It is sometimes fortunate, that the means which are taken to produce certain effects upon the mind have a tendency directly opposite to what is expected.””

— Maria Edgeworth

“First loves are not necessarily more foolish than others; but chances are certainly against them. Proximity of time or place, a variety of accidental circumstances more than the essential merits of the object, often produce what is called first love. From poetry or romance, young people usually form their early ideas of love before they have actually felt the passion; and the image they have in their own minds of the beau ideal is cast upon the first object they afterward behold. This, if I may be allowed the expression is Cupid's Fata Morgana. Deluded mortals are in ecstasy whilst the illusion lasts, and in despair when it vanishes.””

— Maria Edgeworth

“It is not, by any means, that I am more of a prude than is becoming, my lady; nor, that I take upon me to be so innocent, as not to know, that young gentlemen of fortune will, if it be only for fashion's sake, have such things as kept mistresses (begging pardon for mentioning such trash).””

— Maria Edgeworth

“After having all expressed their opinions, without making any impression upon one another, they retired to rest.””

— Maria Edgeworth

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