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Runousoppi

Aristotle

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Runousoppi

Aristotle

Philosophy & Ethics

Translated by J. W. (Johan Wiktor) Calamnius

A scholarly work written in the late 19th century. This text serves as a translation and commentary on Aristotle's influential treatise about poetry and aesthetics, emphasizing the significance of classical literature and its impact on literary and artistic development. The work explores various aspects of poetic composition, including the nature of tragedy, comedy, and different forms of narrative. The opening of ''Runousoppi'' presents an introduction by the translator, who discusses the importance of studying classical texts like Aristotle's in the context of Finnish literature. The translator reflects on the benefits of engaging with ancient works, viewing them as sources of inspiration and knowledge for contemporary writers and scholars. The section outlines Aristotle's approach to poetry, categorizing different genres and hinting at deeper principles of aesthetic theory that will be explored throughout the text. In essence, this portion sets the groundwork for a detailed examination of poetic forms and their philosophical implications, highlighting Aristotle’s enduring influence in the field of literature.

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A scholarly work written in the late 19th century. This text serves as a translation and commentary on Aristotle's influ...

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“With respect to the requirement of art, the probable impossible is always preferable to the improbable possible.””

— Aristotle

“A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity, or as a rule, but has nothing following it. A middle is that which follows something as some other thing follows it. A well constructed plot, therefore, must neither begin nor end at haphazard, but conform to these principles.””

— Aristotle

“Accordingly, the poet should prefer probable impossibilities to improbable possibilities.””

— Aristotle

“the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.””

— Aristotle

“A likely impossibility is always preferable to an unconvincing possibility. The story should never be made up of improbable incidents; there should be nothing of the sort in it.””

— Aristotle

“The plot, then, is the first principle, and, as it were, the soul of a tragedy; Character holds the second place.””

— Aristotle

“For the essence of a riddle is to express true facts under impossible combinations.””

— Aristotle

“All human happiness or misery takes the form of action; the end for which we live is a certain kind of action.””

— Aristotle

“Character is that which reveals moral purpose, showing what kind of things a man chooses or avoids.””

— Aristotle

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