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Monsieur De Phocas, Astarté: Roman

1901

Jean Lorrain

Monsieur De Phocas, Astarté: Roman

Monsieur De Phocas, Astarté: Roman

Jean Lorrain

1901

French Literature, Novels

Monsieur de Phocas, published in 1901 by Jean Lorrain, is a novel that epitomizes the French Decadent Movement. It follows the enigmatic M. de Phocas, a figure of intrigue among Parisian elites, whose obsession with beauty and decadence reveals the darker aspects of desire and identity. The narrative explores themes of opium abuse and the interplay between art and life, drawing parallels to the aesthetics of 'The Portrait of Dorian Gray.' Lorrain's work is noted for its vivid portrayal of the Parisian underworld and its exploration of obsession, making it a significant contribution to late 19th-century literature.

Project Gutenberg

A novel written in the late 19th century. The narrative centers on the enigmatic character M. de Phocas, who becomes a f...

Goodreads

Monsieur de Phocas (1901) has been ranked with Huysmans' À Rebours (1884) as the summation of the French Decadent Moveme...

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Monsieur De Phocas, Astarté: Roman
Monsieur De Phocas, Astarté: RomanCurrent
Project Gutenberg · 271 pages (French)
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“The madness of the eyes is the lure of the abyss. Sirens lurk in the dark depths of the pupils as they lurk at the bottom of the sea, that I know for sure - but I have never encountered them, and I am searching still for the profound and plaintive gazes in whose depths I might be able, like Hamlet redeemed, to drown the Ophelia of my desire.””

— Jean Lorrain

“Masks! I see them everywhere. That dreadful vision of the other night - the deserted town with its masked corpses in every doorway; that nightmare product of morphine and ether - has taken up residence within me. I see masks in the street, I see them on stage in the theatre, I find yet more of them in the boxes. They are on the balcony and in the orchestra-pit. Everywhere I go I am surrounded by masks. The attendants to whom I give my overcoat are masked; masks crowd around me in the foyer as everyone leaves, and the coachman who drives me home has the same cardboard grimace fixed upon his face!It is truly too much to bear: to feel that one is alone and at the mercy of all those enigmatic and deceptive faces, alone amid all the mocking laughs and the threats embodied in those masks. I have tried to persuade myself that I am dreaming, and that I am the victim of a hallucination, but all the powdered and painted faces of women, all the rouged lips and kohl-blackened eyelids... all of that has created around me an atmosphere of trance and mortal agony. Cosmetics: there is the root cause of my illness!But I am happy, now, when there are only masks! Sometimes, I detect the cadavers beneath, and remember that beneath the masks there is a host of spectres.””

— Jean Lorrain

“To dream! Such dreams certainly make life more worth living... and only dreams can do that for me.””

— Jean Lorrain

“8 April 1891The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth.This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!””

— Jean Lorrain

“Ingratitude' is the name which avatars of Narcissus give to the success of others.””

— Jean Lorrain

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