Fifty-One Tales

“All we who write put me in mind of sailors hastily making rafts upon doomed ships.When we break up under the heavy years and go down into eternity with all that is ours our thoughts like small lost rafts float on awhile upon Oblivion’s sea. They will not carry much over those tides, our names and a phrase or two and little else.They that write as a trade to please the whim of the day, they are like sailors that work at the rafts only to warm their hands and to distract their thoughts from their certain doom; their rafts go all to pieces before the ship breaks up.See now Oblivion shimmering all around us, its very tranquility deadlier than tempest. How little all our keels have troubled it. Time in its deeps swims like a monstrous whale; and, like a whale, feeds on the littlest things--small tunes and little unskilled songs of the olden, golden evenings--and anon turneth whale-like to overthrow whole ships.See now the wreckage of Babylon floating idly, and something there that once was Nineveh; already their kings and queens are in the deeps among the weedy masses of old centuries that hide the sodden bulk of sunken Tyre and make a darkness round Persepolis.For the rest I dimly see the forms of foundered ships on the sea-floor strewn with crowns.Our ships were all unseaworthy from the first.There goes the raft that Homer made for Helen.””

— Lord Dunsany

“I do not know who the two old men were or what any of them were doing, but there are moments when it is clearly time to go, and I left them there and then.””

— Lord Dunsany

“THE OLD MAN with a hammer and the one-eyed man with a spear””

— Lord Dunsany

“and I thought of the nations and unpitying Time,””

— Lord Dunsany

“And at last Man raised on high the final glory of his civilization, the towering edifice of the ultimate city. Softly beneath him in the deeps of the earth purred his machinery fulfilling all his needs, there was no more toil for man. There he sat at ease discussing the Sex Problem. And sometimes painfully out of forgotten fields, there came to his outer door, came to the furthest rampart of the final glory of Man, a poor old woman begging. And always they turned her away. This glory of Man's achievement, this city was not for her. It was Nature that came thus begging in from the fields, whom they always turned away. And away she went again alone to her fields. And one day she came again, and again they sent her hence. But her three tall sons came too. "These shall go in," she said. "Even these my sons to your city." And the three tall sons went in. And these are Nature's sons, the forlorn one's terrible children, War, Famine and Plague. Yea and they went in there and found Man unawares in his city still poring over his Problems, obsessed with his civilization, and never hearing their tread as those three came up behind.””

— Lord Dunsany

“Fame as she walked at evening in a city saw the painted face of Notoriety flaunting beneath a gas-lamp, and many kneeled unto her in the dirt of the road. "Who are you?" Fame said to her. "I am Fame," said Notoriety. Then Fame stole softly away so that no one knew she had gone. And Notoriety presently went forth and all her worshippers rose and followed after, and she led them, as was most meet, to her native Pit.””

— Lord Dunsany