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Der Goldene Topf

1814

E. T. A. Hoffmann

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Der Goldene Topf

E. T. A. Hoffmann

1814

German Literature, Novels, Science-Fiction & Fantasy

Der Goldene Topf, published in 1814 by E. T. A. Hoffmann, is a narrative fantasy that follows a student named Anselmus as he navigates a world where reality and the supernatural intertwine. The story begins in Dresden, where Anselmus encounters a mysterious old woman and experiences a series of strange events, including prophetic visions and enchanting serpents. Hoffmann's work is notable for its blend of magical realism and psychological depth, influencing later fantasy literature and showcasing the author's unique ability to merge the mundane with the extraordinary.

Project Gutenberg

A narrative fantasy written in the early 19th century. The story revolves around a student named Anselmus, who experienc...

Goodreads

A múlt német írói és költői közül csak nagyon kevésnek jutott osztályrészül, hogy műve ösztönző és termékenyítő erőként...

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Der Goldene Topf
Der Goldene TopfCurrent
Project Gutenberg · 118 pages (German)
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“Let me ask you outright, gentle reader, if there have not been hours, indeed whole days and weeks of your life, during which all your usual activities were painfully repugnant, and everything you believed in and valued seemed foolish and worthless?””

— E. T. A. Hoffmann

“I may be permitted, kind reader, to doubt whether you have ever been enclosed in a glass bottle, unless some vivid dream has teased you with such magical mishaps.””

— E. T. A. Hoffmann

“It is only in the morning that one should marry, read unfavourable reviews, make one's will, beat one's servants, and so forth.””

— E. T. A. Hoffmann

“In such a dreamy mood one may find one may well wound one's feet against sharp stones, forget to doff one's hat to distinguished persons, bid one's friends good morning in the middle of the night, and dash one's head against the first front door one comes to, because one had forgot to open it; in short, the spirit wears one's body like an ill-fitting garment that is everywhere too wide, too long, too uncomfortable.””

— E. T. A. Hoffmann

“It may be, after all," said the Student Anselmus to himself, "that the superfine stomachic liqueur, which I took somewhat freely in Monsieur Conradi's, might really be the cause of all these shocking phantasms, which tortured me so at Archivarius Lindhorst's door.””

— E. T. A. Hoffmann

“Leuwenhoek received Peregrinus with a repulsively unctuous display of friendship and with the servile compliments which convey an enforced and reluctant acknowledgement of superiority.””

— E. T. A. Hoffmann

“If you wonder at something because it has not yet happened to you, or because you think you cannot perceive the connection of cause and effect, that simply shows that your powers of perception are limited by the deficiencies of your vision. Whether your vision is naturally deficient, or sicklied o'er with the pale cast of thought, I cannot say.””

— E. T. A. Hoffmann

“It is an old-established custom for the hero of a story, when overcome by violent emotion, to run out into the forest, or at least to some solitary glade. This custom is a good one, because it prevails in real life. Mr Peregrinus Tyss therefore had no altenative but to run in a straight line from his house on the Horsemarket until he had left the town behind him and reached a nearby glade.””

— E. T. A. Hoffmann

“Thinking, according to Knarrpanti, was in itself a dangerous undertaking, and all the more so when performed by dangerous individuals.””

— E. T. A. Hoffmann

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