
Paul Morand was a French author renowned for his elegant short stories and novellas, celebrated for their stylistic finesse, wit, and vivid descriptions. His literary output peaked during the interwar period of the 1920s and 1930s, a time when he became a favorite among the elite and the artistic avant-garde, establishing himself as a significant figure in early Modernism and Imagism. Morand's works often reflected his privileged upbringing and his experiences as a diplomat, providing a unique lens on the societal dynamics of his time. Educated at the Paris Institute of Political Studies and Oxford University, Morand's background in diplomacy allowed him to travel extensively, enriching his writing with diverse cultural influences. His notable works include "L'Homme Pressé" and "New York," which showcase his keen observations of modern life and the complexities of human relationships. Morand's literary significance lies not only in his stylistic contributions but also in his exploration of themes related to class distinction and the human condition, making him a distinctive voice in 20th-century literature. His legacy endures as a reflection of the complexities of privilege and the artistic spirit of his era.
“EL sur empuja un viento de calorífero que excita las mucosas de las cloacas. Las nubes se destripan en los pararrayos. Llueve aceite. ... Unas ovejas artificiales levantan sus dedos ensortijados de crema de menta”
“Los artistas se secarán, lagartos aplastados. Serán arrancadas de las ubres de las vacas las pupilas de la Beneficencia Pública, que maman, pequeñas culebras; ... y ejércitos de monos que adorarán a dioses con cabezas de motor. ... para los que cavan con sus manos la noche más dura que la roca,”
“Un negro pasa revista a los botines, con un aire severo, y hace cruces con una tiza en las suelas, decidiendo quien habrá de ser comido.”
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