
Kathleen Howard was a Canadian-born American opera singer, magazine editor, and character actress who made significant contributions to the performing arts in the mid-20th century. Initially trained as a singer, she gained prominence in the world of opera, showcasing her vocal talents in various productions. Howard's career transitioned into acting, where she became known for her character roles in films during the 1930s and 1940s, often bringing depth and nuance to her performances. In addition to her work in opera and film, Howard also served as a magazine editor, where she influenced the literary and cultural landscape of her time. Her multifaceted career reflected the evolving nature of entertainment in the early 20th century, as she navigated the realms of music, acting, and publishing. Kathleen Howard's legacy lies in her ability to bridge these diverse fields, leaving an indelible mark on American arts and culture.
“Harvard generally frowned on Aiken’s postwar activities, however, including his close ties with industry, and ultimately the continual struggle for funding drove him to retire from the university at the minimum age in 1961. When he died suddenly at a conference in March 1973 at the age of seventy-three, Aiken left a generous bequest to Harvard. His generosity was not reciprocated. In spring 2000 the new Maxwell Dworkin computer sciences building was ceremonially inaugurated at the northeast corner of Harvard University’s Holmes Field, formerly the site of the Aiken Computation Laboratory. The new building was a gift to the university from Bill Gates and his Microsoft associate and Harvard classmate Steven Ballmer. Instead of continuing to honor the name of Howard Hathaway Aiken, founder of Harvard’s trailblazing computing program, the new center was named for the mothers of the two recent benefactors. A bronze plaque on the wall of the building is all that remains today to remind of Aiken’s original inspiration. Recently a conference room at the computer center was named for Grace Hopper.””
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