What would you like to read?Search books, authors, genres, shelves, users...
Search books, authors, genres, shelves, users...Search books, authors, genres, shelves, users...
What would you like to read?Search books, authors, genres, shelves, users...
Search books, authors, genres, shelves, users...Search books, authors, genres, shelves, users...
1 books
Mary Chavelita Dunne Bright (born Mary Elizabeth Annie Dunne; 14 December 1859 – 12 August 1945), better known by her pen name George Egerton (pronounced Edg'er-ton), was a writer of short stories, novels, plays and translations, noted for her psychological probing, innovative narrative techniques, and outspokenness about women's need for freedom, including sexual freedom. Egerton is widely considered to be one of the most important writers in the late nineteenth century New Woman movement, and a key exponent of early modernism in English-language literature. Born in Melbourne, Colony of Victoria, she spent her childhood in Ireland, where she settled for a time, and considered herself to be "intensely Irish".
But as a conscientious stickler for truth, I must say that both in trout as in women, I have found myself faced with most puzzling varieties, that were a tantalizing blending of several qualities. I then resolved to study them on my own account. I pursued the Eternal Feminine in a spirit of purely scientific investigation. I knew you'd laugh sceptically at that, but it's a fact. I was impartial in my selection of subjects for observation—French, German, Spanish, as well as the home product. Nothing in petticoats escaped me. I devoted myself to the freshest ingenue as well as the experienced widow of three departed; and I may as well confess that the more I saw of her, the less I understood her. But I think they understood me. They refused to take me au sérieux.
But as a conscientious stickler for truth, I must say that both in trout as in women, I have found myself faced with most puzzling varieties, that were a tantalizing blending of several qualities. I then resolved to study them on my own account. I pursued the Eternal Feminine in a spirit of purely scientific investigation. I knew you'd laugh sceptically at that, but it's a fact. I was impartial in my selection of subjects for observation—French, German, Spanish, as well as the home product. Nothing in petticoats escaped me. I devoted myself to the freshest ingenue as well as the experienced widow of three departed; and I may as well confess that the more I saw of her, the less I understood her. But I think they understood me. They refused to take me au sérieux.
