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Second Stage Lensmen

1941

E. E. Smith

Second Stage Lensmen

Second Stage Lensmen

E. E. Smith

1941

Novels, Science-Fiction & Fantasy

The galaxy hangs in the balance as Kimball Kinnison, the most powerful Lensman in the Galactic Patrol, undertakes his most dangerous mission yet: infiltrating the heart of Boskone itself. Posing as a loyal citizen of the enemy civilization, he must think, act, and breathe as one of them, climbing through ranks of shadow and betrayal until he gives the orders that could save or destroy everything he loves. This is psychological warfare at the scale of empires. Second Stage Lensmen also introduces Clarissa MacDougall, the first female Lensman, and unveils the terrifying powers of the Second Stage: mental abilities that allow their wielders to control minds, to see without eyes, to feel the thoughts of enemies across the void. Four elite Lensmen now possess these gifts, and against Boskone's relentless advance, Civilization desperately needs every advantage. E.E. Smith wrote the blueprint for space opera, and this is where his masterwork reaches its cynical, pulse-pounding crescendo. The battles are epic. The stakes are personal. And trust is the rarest weapon of all.

Project Gutenberg

A science fiction novel written in the early 1940s. This work is part of a larger series, describing grand space battles...

Wikipedia

Second Stage Lensmen is a science fiction novel by author Edward E. Smith. It was first published in book form in 1953 b...

Goodreads

Kim Kinnison era el hombre Numero Uno de su época. A él le toco la misión increible de infiltrarse en el circuito más ín...

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Second Stage Lensmen
Second Stage LensmenCurrent
Project Gutenberg · 388 pages
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“Working hypotheses, young man, must be based upon accurately determined facts; not upon mere guesses, superstitions, or figments of personal prejudices.””

— E. E. Smith

“it has been argued that sexual equality is the most important criterion of that which we know as Civilization.””

— E. E. Smith

“How could he explain beauty, or music, or art, to this . . . this matriarchal savage? How explain cerise to a man born blind? And above all, who had ever heard of having to explain to a woman”

— E. E. Smith

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