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Metropolis

1925

Thea von Harbou

Metropolis

Metropolis

Thea von Harbou

1925

German Literature, Novels, Science-Fiction & Fantasy

In 2026, the city of Metropolis gleams above a dark underworld where workers toil in endless night, feeding the machines that sustain their masters above. When Freder, the privileged son of the city's ruler, encounters Maria, a woman who carries the hopes of the oppressed, he finds himself torn between his father's world and the suffering beneath it. His descent into the depths becomes a descent into conscience, but the path to reconciliation is paved with manipulation, fear, and a robot designed to destroy. Written by Thea von Harbou as the source novel for Fritz Lang's legendary film, this is the complete story behind the images that defined expressionist cinema. A century after its publication, it reads as both period artifact and unsettling prophecy, industrial alienation rendered in prose that crackles with the same tension as the film's towering sets. For readers who have ever wondered what happens between the cuts, or who hunger for early science fiction that treats class division as the ultimate machine.

Project Gutenberg

A science fiction novel written in the late 1920s. The narrative is set in a futuristic urban landscape in the year 2026...

Wikipedia

A metropolis is a large city or conurbation which is a significant economic, political, and cultural area for a country...

Goodreads

This is Metropolis, the novel that the film's screenwriter—Thea von Harbou, who was director Fritz Lang's wife, and a co...

3.5(2K)

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“The mediator between head and hands must be the heart!””

— Thea von Harbou

“This book is not of today or of the future.It tells of no place.It serves no cause, party or class.It has a moral which grows on the pillar of understanding:“The mediator between brain and muscle must be the Heart.””

— Thea von Harbou

“Beautiful Maria, how Sweet are your hips... Is the man whom you love never to find that out? Beautiful Maria, listen to what I say to you: only a little to one side of this way, a flight of stairs leads steeply upward, leading to freedom... Your knees are trembling... how sweet that is! Do you think to overcome your weakness by clasping your hands? You call upon God, but believe me: God does not hear you! Since I came upon the earth as the great flood, to destroy all in existence but Noah’s ark, God has been deaf to the scream of His creatures.  Or did you think I had forgotten how the mothers screamed then? Have you more responsibility on your conscience than God on His? Turn back, beautiful Maria, turn back!””

— Thea von Harbou

“Du hast vergessen, daß Liebende heilig sind. Auch wenn sie sich irren, Joh; selbst ihr Irrtum ist heilig. Auch wenn sie Narren sind, Joh; selbst ihre Narrheit ist heilig. Denn wo Liebende sind, ist der Garten Gottes, und niemand hat das Recht, sie daraus zu vertreiben. Nicht einmal Gott.””

— Thea von Harbou

“That Brain and Hands no longer understand each other will one day destroy the New Tower of Babel. “Brain and Hands need a mediator. The Mediator between Brain and Hands must be the Heart. . . .””

— Thea von Harbou

“You have suffered,” thought his dream-filled brain.  “You have been redeemed by suffering.  You have attained to bliss... Is it worth while to suffer?-Yes.” And he walked out of the cathedral on feet which were still as though dead, tentatively, he stepped through the mighty door-way, stood dazzled in the light and swayed as though drunken. For the wine of suffering which he had drunk, was very heavy, and intoxicating, and white-hot. His soul spoke within him as he reeled along: “I will go home and look for my mother.””

— Thea von Harbou

“But I do, Joh! I still remember every syllable.  You said: ‘I don’t hear a word you say”

— Thea von Harbou

“Oh yes, Joh”

— Thea von Harbou

“Then came a time which pulled down antiquities.  Then the words were spoken: The house must die.  But the house was stronger than the words, as it was stronger than the centuries.  With suddenly falling stones it slew those who laid hands on its walls.  It opened the floor under their feet, dragging them down into a shaft, of which no man had previously had any knowledge.  It was as though the plague, which had formerly wandered in the wake of the red shoes of the magician, still crouched in the corners of the narrow house, springing out at men from behind, to seize them by the neck.””

— Thea von Harbou

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Harbou, Thea von. Metropolis. Lex, lex-books.com/book/metropolis-116d5638-027d-49c7-82ed-c0f01366caf5.
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Harbou, T. V. (1925). Metropolis. Lex. https://lex-books.com/book/metropolis-116d5638-027d-49c7-82ed-c0f01366caf5
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Harbou, Thea von. Metropolis. Lex. https://lex-books.com/book/metropolis-116d5638-027d-49c7-82ed-c0f01366caf5.

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