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A Chair on the Boulevard

Leonard Merrick

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A Chair on the Boulevard

Leonard Merrick

Novels, Short Stories

Paris in the 1920s: a city of cramped garrets, smoky cafés, and organ-grinders playing nostalgic melodies on rain-soaked boulevards. Leonard Merrick's linked stories follow Gustave Tricotrin, a poet whose modest fame exists only in the margins of Parisian life, and the circle of performers, painters, and dreamers who orbit him. The opening tale, 'The Tragedy of a Comic Song,' introduces Paulette Fleury, a young woman who asks two struggling artists, Tricotrin and his friend Pitou, to compose a comic song for her. What unfolds is neither triumph nor tragedy but something more honest: the quiet devastation of loving someone who cannot love you back, and the peculiar nobility of continuing to create when creation offers no reward. Merrick writes with the precision of a man who lived this life, who knew exactly how poverty feels when you're too proud to admit you're cold, and how a melody can undo you when you're far from home. These are stories for anyone who has chosen art over stability, or loved someone who chose their craft over them.

Project Gutenberg

A collection of short stories written during the early 20th century. The book seems to explore themes of love, ambition,...

Goodreads

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. T...

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A Chair on the Boulevard
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“Sober or blotto, this is your motto: keep muddling through.””

— Leonard Merrick

“Lord Marshmoreton: I wish I could get you see my point of view.George Bevan: I do see your point of view. But dimly. You see, my own takes up such a lot of the foreground””

— Leonard Merrick

“The proprietor of the grocery store on the corner was bidding a silent farewell to a tomato which even he, though a dauntless optimist, had been compelled to recognize as having outlived its utility.””

— Leonard Merrick

“What George was thinking was that the late king Herod had been unjustly blamed for a policy which had been both statesmanlike and in the interests of the public. He was blaming the mawkish sentimentality of the modern legal system which ranks the evisceration and secret burial of small boys as a crime.””

— Leonard Merrick

“Normally he was fond of most things. He was a good-natured and cheerful young man, who liked life and the great majority of those who lived it contemporaneously with himself. He had no enemies and many friends.But today he had noticed from the moment he had got out of bed that something was amiss with the world. Either he was in the grip of some divine discontent due to the highly developed condition of his soul, or else he had a grouch. One of the two.””

— Leonard Merrick

“Hear him now as he toils. He has a long garden-implement in his hand, and he is sending up the death-rate in slug circles with a devastating rapidity.             "Ta-ra-ra boom-de-ay              Ta-ra-ra BOOM”

— Leonard Merrick

“Like one kissed by a goddess in a dream, he walked on air; and, while one is walking on air, it is easy to overlook the boulders in the path.””

— Leonard Merrick

“In our moments of distress we can see clearly that what is wrong with this world of ours is the fact that Misery loves company and seldom gets it.””

— Leonard Merrick

“Whatever may be said of the possibility of love at first sight, in which theory George was now a confirmed believer, there can be no doubt that an exactly opposite phenomenon is of frequent occurrence. After one look at some people even friendship is impossible. Such a one, in George's opinion, was this gurgling excrescence underneath the silk hat. He comprised in his single person practically all the qualities which George disliked most. He was, for a young man, extraordinarily obese. Already a second edition of his chin had been published, and the perfectly-cut morning coat which encased his upper section bulged out in an opulent semi-circle. He wore a little moustache, which to George's prejudiced eye seemed more a complaint than a moustache. His face was red, his manner dictatorial, and he was touched in the wind. Take him for all in all he looked like a bit of bad news.””

— Leonard Merrick

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