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Ο Γάμος Του Κρεντσίνσκη, Κωμωδία Εις Τρεις Πράξεις - Πανδρολογήματα, Κωμωδία Εις Δύο Πράξεις

A. Sukhovo-Kobylin

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Ο Γάμος Του Κρεντσίνσκη, Κωμωδία Εις Τρεις Πράξεις - Πανδρολογήματα, Κωμωδία Εις Δύο Πράξεις

A. Sukhovo-Kobylin

Humour, Plays/Films/Dramas, Russian Literature

Translated by Agathoklis Konstantinidis

''Ο Γάμος του Κρεντσίνσκη'' by Ν. Γκόγολ is a comedy written in the late 19th century. This playful narrative revolves around themes of social interaction, family dynamics, and the chaos surrounding marriage preparations. The main characters include the affluent landowner Πιοτρ Κωνσταντίνιτς Μούρομσκης and his daughter Λύδοτσκα, along with various friends and acquaintances involved in the humorous intricacies of their lives. At the start of the play, we are introduced to the household of Μούρομσκης in Moscow, where the comedic tension unfolds through a series of misunderstandings. The character Ατούγεφ, a well-meaning but frustrated figure, struggles with her servant Τίσσκας, who is notoriously clumsy and slightly intoxicated. This chaotic scene sets the tone for the play, as discussions shift to the need for social gatherings, specifically a ball that Μούρομσκης is resistant to organize. The interactions highlight the societal pressures and familial expectations surrounding marriage as Μούρομσκης grapples with his daughter's romantic interests, particularly her affection for the charming Κρετσίνσκης, against his initial preference for another suitor, Νέλκην. This opening portion effectively captures the comedic essence and social critique characteristic of Гόголь's work.

Project Gutenberg

''Ο Γάμος του Κρεντσίνσκη'' by Ν. Γκόγολ is a comedy written in the late 19th century. This playful narrative revolves a...

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Ο Γάμος Του Κρεντσίνσκη, Κωμωδία Εις Τρεις Πράξεις - Πανδρολογήματα, Κωμωδία Εις Δύο Πράξεις
Ο Γάμος Του Κρεντσίνσκη, Κωμωδία Εις Τρεις Πράξεις - Πανδρολογήματα, Κωμωδία Εις Δύο ΠράξειςCurrent
Project Gutenberg · 163 pages (Greek)
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About the author

A
A. Sukhovo-Kobylin
1817-1903

Russian playwright known for his innovative and satirical contributions to 19th-century theater.

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