What would you like to read?Search books, authors, genres, shelves, users...
Search books, authors, genres, shelves, users...Search books, authors, genres, shelves, users...
What would you like to read?Search books, authors, genres, shelves, users...
Search books, authors, genres, shelves, users...Search books, authors, genres, shelves, users...
1 books
Influential figures applying psychoanalysis Influential works applying psychoanalysis Otto Rank (/rɑːŋk/; Austrian German: [raŋk]; né Rosenfeld; 22 April 1884 – 31 October 1939) was an Austrian psychoanalyst, writer, and philosopher. Born in Vienna, he became one of Sigmund Freud's closest collaborators, served as secretary of the Vienna Psychoanalytic Society, and edited leading psychoanalytic journals while publishing studies of myth and creativity. His book The Trauma of Birth (1924) proposed that the anxiety of birth precedes the Oedipus complex, coined the term "pre-Oedipal," and triggered a decisive break with Freud's developmental theory. Rank established psychotherapy practices in Paris and New York, where he promoted relationship-based treatment that emphasized emotional presence in the analytic encounter. He influenced existential and humanistic therapy, social work, and action learning, and his ideas on creativity and the double continue to inform psychological and cultural criticism.
The struggle of the artist against the art-ideology, against the creative impulse and even against his own work also shows itself in his attitude towards success and fame; these two phenomena are but an extension, socially, of the process which began subjectively with the vocation and creation of the personal ego to be an artist. In this entire creative process, which begins with self-nomination as artist and ends in the fame of posterity, two fundamental tendencies — one might almost say, two personalities of the individual — are in continual conflict throughout: one wants to eternalize itself in artistic creation, the other in ordinary life — in brief, immortal man vs. the immortal soul of man.
The struggle of the artist against the art-ideology, against the creative impulse and even against his own work also shows itself in his attitude towards success and fame; these two phenomena are but an extension, socially, of the process which began subjectively with the vocation and creation of the personal ego to be an artist. In this entire creative process, which begins with self-nomination as artist and ends in the fame of posterity, two fundamental tendencies — one might almost say, two personalities of the individual — are in continual conflict throughout: one wants to eternalize itself in artistic creation, the other in ordinary life — in brief, immortal man vs. the immortal soul of man.
