
Francis La Flesche was a pioneering Native American ethnologist, recognized as the first professional in his field. Born on the Omaha Reservation, he was of Omaha, Ponca, and French descent, and grew up during a transformative period for his tribe. La Flesche's academic journey led him to earn degrees from George Washington University Law School, where he initially pursued a career among European Americans. However, his passion for his cultural heritage guided him to work closely with anthropologist Alice C. Fletcher at the Smithsonian Institution, where he specialized in the Omaha and Osage cultures. La Flesche's contributions to ethnology included numerous articles and a significant book on the Omaha, as well as extensive research on the Osage. He was instrumental in preserving Indigenous music, making original recordings of traditional songs and chants. In 1912, he collaborated with composer Charles Wakefield Cadman on an opera titled 'Da O Ma,' inspired by Omaha life, though it was never produced. La Flesche's legacy continued posthumously with the publication of a collection of his stories in 1998, solidifying his role as a crucial figure in the documentation and celebration of Native American culture and history.
“Shoⁿ´-ge-ṭsi-e, Dog-passing-by.”
“In the beginning the Ṭsi´-zhu people came down, in the form of eagles, from the upper to the lower world. As they came in sight of the earth they beheld a large red oak tree. They soared down to it and alighted upon its topmost branches. The shock of their weight sent to the ground a shower of acorns which scattered around the foot of the tree, whereupon they said: We shall make of this tree our life symbol; our little ones shall multiply in numbers like”
“hi´-ge-ṭoⁿ-ga, Big-chief. Refers to the high position of the hereditary chief of the Ṭsi´-zhu tribal division. Husband of Iⁿ´-be-zhoⁿ-ḳa-wiⁿ of the I´-ba-ṭse gens.”
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