Edith Summers Kelley was a Canadian-born author whose literary contributions were primarily shaped by her experiences in the United States. Born in Toronto to Scottish immigrants, she graduated from the University of Toronto before relocating to Greenwich Village, where she became involved with notable literary figures such as Upton Sinclair and Sinclair Lewis. Although her personal life was marked by tumultuous relationships, including a marriage to poet Allan Updegraff and later to artist Fred Kelley, these experiences deeply influenced her writing. Her most recognized work, the 1923 novel 'Weeds,' is set against the backdrop of Kentucky's tobacco farming and explores themes of rural life and social issues, reflecting her own challenges and observations during her time on a tobacco farm in Scott County. Despite receiving some positive reviews, 'Weeds' did not achieve commercial success, and Kelley's subsequent novel, 'The Devil's Hand,' remained unfinished until its posthumous publication in 1974. Kelley's literary significance lies in her ability to capture the complexities of life in early 20th-century America, particularly from the perspective of women navigating societal expectations. Though her works may not have garnered widespread acclaim during her lifetime, Kelley's unique voice and perspective continue to be recognized for their contributions to American literature and the representation of women's experiences in a changing world.
“The main trouble with Bill was that along with nine-tenths of the rest of humanity, he had missed his calling.”
“...from the big tobacco barns there welled forth a fragrance that was for these Kentuckians, the soul of autumn. Oozing out into the sunshine from every crack in the great structures, it exhilarated like an elixir, like a long draught of some rich, spicy wine.”
“Hain't life woth livin', Uncle Jabez?" she asked. He laughed a short, harsh laugh and fell silent. "Waal, I dunno, Judy," he said at last, meditatively shifting his quid of tobacco. "I reckon it makes a big diff'rence who you live it with an' a bigger diff'rence yet what work yuh lay yer hand to. Both o' them things, as I see it, is a matter of luck.”
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