Small Souls

Constance van der Welcke has been away for twenty years. After a scandal that shattered her marriage to the Dutch ambassador to Rome, she returns to The Hague with her second husband Henri, desperate only for reconciliation with the family that cast her out. But the drawing rooms of the Hague are ruthless, and the Van der Welcke siblings, those polished pillars of society, prove more vicious in their silence than any open condemnation. Couperus dissects the Dutch upper classes with surgical precision. Every tea visit, every carefully worded invitation, every glance across the dining table becomes a battlefield. The family's famed unity reveals itself as brittle performance, and the "small souls" of the title emerge not in grand betrayals but in the thousand small cruelties of family life: the cousins excluded from inheritance, the widowed sister treated as an embarrassment, the resentments nursed for decades. This is a psychological portrait of respectability as performance, of love calcified into duty, of belonging as a currency exchanged behind closed doors.








