La Fin De Chéri
1926

It is 1920s Paris, and Chéri has returned from the war to find that victory was the easy part. Now he must inhabit a life he never chose: husband to the ambitious Edmée, civilian again, ordinary. The young man who once lived beautifully off the courtesan Léa now walks the streets uncertain of who he is beneath the clothes. Colette maps the wreckage of post-war masculinity with her characteristic unflinching eye, tracing a marriage that exists in the space between expectation and despair. Chéri is adrift, caught between the ghost of who he was, the woman who owns him, and the nation that has no place for men who loved like he loved. This is not a love story, exactly. It is a study of what remains when the thing you were defined by dissolves into peace.
Editions
X-Ray
“The seventeenth of March. In other words, spring. Desmond, people who think themselves smart, I mean those in the height of fashion, women or men - can they afford to wait any longer before buying their spring wardrobes?””
— Colette
“My son, be rich and live your own life! Tell yourself that you're the incarnation of an ancient aristocracy. Model yourself on the feudal barons. You're a warrior””
— Colette
“We all go through that. Everyone's feeling a little out of sorts. No one knows exactly where he stands. Work is a wonderful way of putting you on your feet again, old boy””
— Colette
“Curious how people can go on doing the same thing day after day!””
— Colette
“Pureté et solitude sont un seul et même malheur.””
— Colette
“The seventeenth, Desmond! Come along at once; everything's all right. We're going to buy a huge bracelet for my wife, an enormous cigarette-holder for Madame Peloux, and a tiny tie-pin for you””
— Colette
“For an instant, Madame Peloux took on her authentic character in her son’s eyes; that is to say, he estimated her at her proper value, a woman high-spirited, all-consuming, calculating and at the same time rash, like a high financier; a woman capable of taking a humorist’s delight in spiteful cruelty. “She is a scourge, certainly,” he said to himself, “and no more. A scourge, but not a stranger.””
— Colette
“But nothing in the world would have brought him to reveal, by publicly protesting, that he was becoming one of those who no longer have anything in common with their fellow creatures. Wary, he kept silent about it, like all the rest.””
— Colette
“These leisurely conversations always revealed their worship of the same twin deities - love and money, and would drift away from money and love to come back to Chéri and his deplorable upbringing, to his exceptional good looks (“harmless, after all,” as Léa would say) and to his character (“virtually non-existent,” as Léa would say). They had a taste for sharing confidences, and a dislike of new words or ideas, which they satisfied in these long talks.””
— Colette
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Colette. La Fin De Chéri. Lex, lex-books.com/book/la-fin-de-ch-ri-112cd555-bb26-4466-a44d-51c2c1869c11.Colette (1926). La Fin De Chéri. Lex. https://lex-books.com/book/la-fin-de-ch-ri-112cd555-bb26-4466-a44d-51c2c1869c11Colette. La Fin De Chéri. Lex. https://lex-books.com/book/la-fin-de-ch-ri-112cd555-bb26-4466-a44d-51c2c1869c11.










