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A Chambermaid's Diary

1900

Octave Mirbeau

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A Chambermaid's Diary

Octave Mirbeau

1900

French Literature, Novels

Translated by Benjamin Ricketson Tucker

Célestine R. has seen everything, and she detests all of it. A chambermaid in the employ of the Lanlaires, a provincial couple of grotesque self-satisfaction, she records her observations in a diary that burns with controlled fury. Mirbeau's 1900 novel is a document of social demolition: Célestine dissects the pretensions of the wealthy with surgical precision, while herself remaining entangled in the very machinery of exploitation she despises. She is no saint, she tells us plainly. She has known many men, and knows well the madness and vileness of which they are capable. But even she is shocked by the Lanlaires. The novel operates as sustained inversion: the servant watches the masters, and finds them wanting. Through diary entries that shift between vitriolic observation and aching vulnerability, Mirbeau constructs a portrait of a woman sharp enough to see through every social lie, yet trapped by the very class system she critiques. The Priory becomes a stage for decay, where hypocrisy is the only currency that matters. Célestine's voice is simultaneously contemptuous and complicit, making her one of the most unsettling narrators in French literature. Three major filmmakers, including Renoir and Buñuel, found its darkness filmable because Mirbeau understood something essential: tear away the veils, and people's souls give off a pungent smell of matter.

Project Gutenberg

A novel written in the late 19th century. The story is narrated by Célestine, a French chambermaid who has taken a posit...

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"I am no saint; I have known many men, and I know, by experience, all the madness, all the vileness, of which they are c...

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“Si infâmes que soient les canailles, elles ne le sont jamais autant que les honnêtes gens.””

— Octave Mirbeau

“when one tears away the veils and shows them naked, people's souls give off such a pungent smell of decay””

— Octave Mirbeau

“peau nue contre la sienne, nue aussi, mais hélas ! nue comme sont nus les os.””

— Octave Mirbeau

“Les savants ne les comprennent pas et, la plupart du temps, ils les méprisent, parce qu’ils ont trop d’orgueil… Pour aimer les vers, il suffit d’avoir une âme… une petite âme toute nue, comme une fleur… Les poètes parlent aux âmes des simples, des tristes, des malades… Et c’est en cela qu’ils sont éternels… Sais-tu bien que, lorsqu’on a de la sensibilité, on est toujours un peu poète ?…””

— Octave Mirbeau

“par le mouvement désordonné des plumes noires, accentue l’énergie de ces sentiments violents.””

— Octave Mirbeau

“Et ce souvenir brusquement évoqué met un nuage de mélancolie dans la gaîté de ce joli matin.””

— Octave Mirbeau

“Ma seule distraction est d’aller, le dimanche, au sortir de la messe, chez Mme Gouin, l’épicière… Le dégoût m’en éloigne, mais l’ennui, plus fort, m’y ramène.””

— Octave Mirbeau

“Il n’est plus du peuple, d’où il sort ; il n’est pas, non plus, de la bourgeoisie où il vit et où il tend… Du peuple qu’il a renié, il a perdu le sang généreux et la force naïve… De la bourgeoisie, il a gagné les vices honteux, sans avoir pu acquérir les moyens de les satisfaire… et les sentiments vils, les lâches peurs, les criminels appétits, sans le décor, et, par conséquent, sans l’excuse de la richesse… L’âme toute salie, il traverse cet honnête monde bourgeois et rien que d’avoir respiré l’odeur mortelle qui monte de ces putrides cloaques, il perd, à jamais, la sécurité de son esprit, et jusqu’à la forme même de son moi…””

— Octave Mirbeau

“Oh! comme tu sens bon! chuchota-t-il...Petite putain, tu sens maman...””

— Octave Mirbeau

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Mirbeau, Octave. A Chambermaid's Diary. Lex, lex-books.com/book/a-chambermaid-s-diary-bc93be52-16bb-442c-8177-3d347c0285cb.
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