
William Campbell Gault was an influential American writer known for his contributions to both sports and crime fiction. He began his writing career in the pulp magazine era, where he quickly established himself as a leading voice in sports literature. Gault's work resonated particularly with young readers, especially through his novels published in the 1960s, which captured the excitement and challenges of athletic competition. His ability to weave engaging narratives around sports set him apart in a genre often overlooked by mainstream literature. In addition to his sports fiction, Gault also wrote under various pseudonyms, including Roney Scott and Will Duke, showcasing his versatility as a storyteller. His crime fiction further demonstrated his skill in crafting compelling plots and complex characters. Gault's contributions to the genre were recognized by contemporaries, with critics like Damon Knight praising his work for its authenticity and depth. Through his diverse body of work, Gault left a lasting impact on American literature, particularly in the realms of sports and crime fiction, influencing future generations of writers and readers alike.
“If you haven’t got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you’ll only have to throw away the first three pages.”
“Remember this, if you have written a couple dozen short stories and sold them to national markets, the chances are you know as much about the business as many of the editors you are trying to sell to. You are going to have to write what they want, but always be sure the paths they want you to take are reasonable. The chances are they know what is salable and they must be listened to. But only you can determine what is distinctly yours and that is your road to the ultimate success. Editors come and go constantly and the next man may love what the last man despised. It’s all taste and opinion and one man is different from the next. Mr. Faulkner might not appreciate Mr. Spillane, but that is also true in reverse. None of this need concern you. Out there, beyond the lighted limits of the place you sit and type, somebody is waiting for the kind of thing you write. Writing can never be more than communication and should never be less. So what do you do? You keep typing.”
“He couldn't understand today. Who can? How can you pay a man a hundred thousand dollars a year to hit a baseball or put a basketball though a hoop—and pay a teacher only twelve thousand a year to teach a kid to become a citizen? Is that waste? Give it some thought.”
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