T. Phelan was a writer and observer of the Anglo-Boer War, known for his unique blend of humor and social commentary. His notable work, 'The Siege of Kimberley: Its Humorous and Social Side,' provides a vivid account of life during the siege, showcasing not only the hardships faced by the residents but also the resilience and camaraderie that emerged in such trying times. Phelan's writing captures the complexities of war, revealing the often-overlooked human experiences behind military conflicts. In addition to 'The Siege of Kimberley,' Phelan's 'Eighteen Weeks in Eighteen Chapters' offers a structured narrative of the events surrounding the siege, reflecting on the broader implications of the Anglo-Boer War. His works are significant for their insightful observations and the light they shed on the social dynamics of the period, making them valuable contributions to the literature of war and society. Through his engaging prose, Phelan not only documented a crucial historical moment but also highlighted the enduring spirit of those who lived through it.
“To reiterate: not all things need to be finished, and free reading is a prime example of this. Writing – or the composition of words which are intended to be read – just like painting, sculpting, or composing music, is a form of art. Typically, not all art is able to resonate with each and every viewer – or, in this case, reader. If we walk through a museum and see a boring painting, or listen to an album we don’t enjoy, we won’t keep staring at said painting, nor will we listen to the album. So, if we don’t like a book, if we aren’t learning from it, dreaming about it, enjoying its descriptions, pondering its messages, or whatever else may be redeeming about a specific book, why would we waste our time to “just finish it?” Sure, we may add another book to the list of books read, but is more always better?””
“Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.””
“We are all of us trapped inside a hall of mirrors, our shiny, hard exteriors reflecting both to each other and on each other, ad infinitum, forever and ever so we can’t escape.””
Add a free, dofollow link to Lex on your blog, forum, syllabus, or reading list.
<a href="https://lex-books.com/author/t-phelan"><img src="https://lex-books.com/badges/read-on-lex.svg" alt="T. Phelan on Lex" width="160" height="40"></a>[](https://lex-books.com/author/t-phelan)[url=https://lex-books.com/author/t-phelan][img]https://lex-books.com/badges/read-on-lex.svg[/img][/url]T. Phelan on Lex: https://lex-books.com/author/t-phelan