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Jun'ichiro Tanizaki

Jun'ichiro Tanizaki

Jun'ichirō Tanizaki was a pivotal figure in modern Japanese literature, known for his exploration of complex themes such as sexuality, obsession, and the intricacies of family life. His works often reflect the tensions between traditional Japanese culture and the encroaching influence of the West, capturing the essence of a society in flux during the 20th century. Tanizaki's narratives are marked by their psychological depth and vivid imagery, making him a master of both the erotic and the everyday. Notable works include 'The Key,' a provocative examination of marital dynamics, and 'In Praise of Shadows,' an essay that meditates on aesthetics and cultural identity. Tanizaki's literary significance extends beyond his storytelling prowess; he was a keen observer of the cultural shifts in Japan, and his writings often serve as a commentary on the changing landscape of Japanese society. His candid approach to taboo subjects and his ability to weave intricate character studies earned him a place among the greats of world literature. In 1964, he was nominated for the Nobel Prize in Literature, underscoring his impact and legacy as a writer who challenged conventions and explored the depths of human experience.

Wikipedia

Jun'ichirō Tanizaki (谷崎 潤一郎, Tanizaki Jun'ichirō; 24 July 1886 – 30 July 1965) was a Japanese author who is considered t...

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Famous Quotes

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“Were it not for shadows, there would be no beauty.”

“The older we get the more we seem to think that everything was better in the past.”

“Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.”

“Were it not for shadows, there would be no beauty.”

“The older we get the more we seem to think that everything was better in the past.”

“Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.”

Books from the author

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羹

1921

Jun'ichiro Tanizaki

刺靑

1911

Jun'ichiro Tanizaki

ASpring-TimeCase:(otsuya...

Jun'ichiro Tanizaki

A Spring-Time Case: (otsuya Koroshi)

續惡魔

Jun'ichiro Tanizaki

惡魔

Jun'ichiro Tanizaki

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