Henry Martyn Blossom Jr. was an influential American writer and playwright, known for his dynamic contributions to both literature and musical theatre in the late 19th and early 20th centuries. He first garnered significant attention with his novel 'Checkers: A Hard Luck Story' in 1896, which he adapted into a successful Broadway play in 1903. This adaptation marked his debut in theatre and laid the groundwork for his future endeavors, leading to further adaptations of 'Checkers' into silent films and musicals, including the 1920 production 'Honey Girl.' Blossom's work extended beyond novels; he became a notable lyricist and librettist, collaborating with composer Alfred G. Robyn on the comic opera 'The Yankee Consul' in 1903, which also saw a silent film adaptation in 1921. Blossom's prolific partnership with operetta composer Victor Herbert produced several celebrated works, including 'Mlle. Modiste' (1905), 'The Red Mill' (1906), and 'Eileen' (1917). His collaborations often blended humor and romance, capturing the spirit of the era. Despite some of his projects not reaching Broadway, his contributions to musical theatre were significant, influencing the genre's development. Blossom's legacy is marked by his ability to seamlessly transition between literary forms and his role in shaping American musical theatre, with many of his works continuing to be recognized and adapted long after his passing in 1919.
“Silently, one by one, in the infinite meadows of heaven,Blossomed the lovely stars, the forget-me-nots of the angels.””
“Nothing can be given or taken away; nothing has been added or subtracted; nothing increased or diminished. We stand on the same shore before the same mighty ocean. The ocean of love. There it is - in perpetuum. As much in a broken blossom, the sound of a waterfall, the swoop of a carrion bird as in the thunderous artillery of the prophet.We move with eyes shut and ears stopped; we smash walls where doors are waiting to open to the touch; we grope for ladders, forgetting that we have wings; we pray as if God were deaf and blind, as if He were in a space. No wonder the angels in our midst are unrecognizable.One day it will be pleasant to remember these things.””
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.”“Even my Peloton?” I ask.“Great piece of equipment,” he says.“The fact that I check my email after work hours?”“Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says.“Sometimes I wear very impractical shoes,” I add.“Nothing impractical about looking hot,” he says.“And what about my bloodlust?”His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.”“Already was,” I say. “Always have been.”“I love you,” he says again.“I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them.“I know,” he says. “I can read you like a book.””
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