Desmond Byrne was an influential Australian writer and critic, known for his insightful contributions to the understanding of Australian literature. His notable work, "Australian Writers," serves as a comprehensive exploration of the country's literary landscape, highlighting the diverse voices and narratives that have emerged from Australia. Byrne's writing often reflected a deep appreciation for the cultural and historical contexts that shape literary expression in Australia, making his analyses both informative and engaging. Byrne's significance lies not only in his critical examinations but also in his ability to connect readers with the broader themes of identity, place, and storytelling within Australian literature. His work has contributed to a greater awareness of the complexities of Australian writing, helping to elevate the profiles of many writers who may have otherwise remained overlooked. Through his scholarship, Byrne has left a lasting impact on the field of literary criticism, particularly in the context of Australian literature, encouraging future generations to explore and celebrate their literary heritage.
“Give most children crayons and paper and they’ll happily draw for the fun of it; the intrinsic reward of doing something creative keeps them happy and interested. But as soon as you pay children for their art, their drawings get sloppy and less detailed. They also don’t seem to enjoy the process of drawing anywhere near as much when they are offered a treat in return for each piece produced. In studies, children who know they will be rewarded for their drawings spend only about half as much time playing with crayons as those children who aren’t offered a reward.5 In fact, the exact same behavior had already been observed in the 1960s with chimpanzees in the wild. Desmond Morris, a man with “surrealist painter” and “children’s author” alongside “world-renowned zoologist” on his CV, observed that wild chimpanzees stopped drawing for its own sake as soon as they learned that drawings earned treats. Those drawings that they could be persuaded to produce were made with less time, care, and attention. “Any old scribble would do and then it would immediately hold out its hand for a reward. The careful attention the animal had paid previously to design, rhythm, balance and composition was gone and the worst kind of commercial art was born.””
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