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The Saxons: A Drama of Christianity in the North

1905

Edwin Davies Schoonmaker

The Saxons: A Drama of Christianity in the North

The Saxons: A Drama of Christianity in the North

Edwin Davies Schoonmaker

1905

History - Medieval/Middle Ages, Plays/Films/Dramas, Religion/Spirituality

The Saxons: A Drama of Christianity in the North, published in 1905 by Edwin Davies Schoonmaker, is a historical drama set in the early 13th century. The play explores the conflict between Saxon pagan traditions and the rise of Christianity, focusing on themes of loyalty, identity, and oppression. Key characters include Canzler, the chief of the Saxons, and Oswald, a shepherd caught in the religious turmoil. The narrative highlights the emotional stakes as characters confront their identities and the impending changes to their way of life.

Project Gutenberg

A historical drama written in the early 20th century. The narrative likely explores the conflict between the Saxon pagan...

Goodreads

"The A Drama of Christianity in the North" by Edwin Davies Schoonmaker is a captivating tale set in the early 13th centu...

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The Saxons: A Drama of Christianity in the North
The Saxons: A Drama of Christianity in the NorthCurrent
Project Gutenberg · 218 pages
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CanzlerProtagonist

Chief of the Saxons, a proud leader defending his people's ancient ways against Christian conversion. He embodies Saxon values of individual freedom and connection to Woden.

OswaldSupporting

A Saxon shepherd who converts to Christianity and becomes a monk. His spiritual journey and mysterious rescue drive much of the plot.

SelmaSupporting

Canzler's daughter, a fairy-like young woman who communes with nature spirits. She represents the mystical connection between Saxon paganism and the natural world.

Father BenedictAntagonist

A zealous village priest determined to convert or destroy the Saxon pagans. He represents aggressive Christian evangelism and intolerance.

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About The Saxons: A Drama of Christianity in the North

Chapter Summaries

Act 1, Scene 1
Fritz and Rudolph discuss the Christian threat to their Saxon way of life, debating whether to flee to the mountains or fight. They discover a crucifix that Oswald has secretly erected, revealing his conversion to Christianity.
Act 1, Scene 2
Selma plays by a forest spring while Oswald tries to convert her to Christianity. Their conversation reveals the conflict between her natural paganism and his newfound Christian faith.
Act 1, Scene 3
Saxon leaders gather to discuss their situation. Canzler delivers a powerful speech about individual freedom and the right to follow one's own spiritual path. Oswald's conversion is discovered, leading to his exile.

Key Themes

Religious Conversion and Cultural Destruction
The play explores how forced religious conversion destroys indigenous cultures and ways of life. The Saxons face extinction not just physically but spiritually as Christianity seeks to erase their connection to Woden and nature.
Individual Freedom vs. Institutional Authority
Canzler's philosophy that each person should be free to follow their own path conflicts with Christian demands for conformity. The play questions whether institutions have the right to dictate individual belief.
Truth vs. Political Expediency
The Abbot's struggle between revealing the truth about Oswald's rescue and maintaining the miracle story for political gain illustrates the corruption of truth by institutional needs.

Characters

Canzler(protagonist)
Chief of the Saxons, a proud leader defending his people's ancient ways against Christian conversion. He embodies Saxon values of individual freedom and connection to Woden.
Oswald(major)
A Saxon shepherd who converts to Christianity and becomes a monk. His spiritual journey and mysterious rescue drive much of the plot.
Selma(major)
Canzler's daughter, a fairy-like young woman who communes with nature spirits. She represents the mystical connection between Saxon paganism and the natural world.
Father Benedict(antagonist)
A zealous village priest determined to convert or destroy the Saxon pagans. He represents aggressive Christian evangelism and intolerance.
The Abbot of St. Giles(major)
A learned and philosophical monastery leader who struggles between truth and political necessity. He represents enlightened Christianity conflicted by institutional demands.
Sigurd(major)
A dwarf who appears to be supernatural, secretly rescues Oswald from the cliff. He bridges the worlds of pagan magic and Christian miracle.

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Schoonmaker, Edwin Davies. The Saxons: A Drama of Christianity in the North. Lex, lex-books.com/book/the-saxons-a-drama-of-christianity-in-the-north-a3177d89-8bb0-4768-8472-c1ff4a483763.
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Schoonmaker, E. D. (1905). The Saxons: A Drama of Christianity in the North. Lex. https://lex-books.com/book/the-saxons-a-drama-of-christianity-in-the-north-a3177d89-8bb0-4768-8472-c1ff4a483763
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Schoonmaker, Edwin Davies. The Saxons: A Drama of Christianity in the North. Lex. https://lex-books.com/book/the-saxons-a-drama-of-christianity-in-the-north-a3177d89-8bb0-4768-8472-c1ff4a483763.

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