The Elizabethan Stage, Vol. 4

A historical account written in the early 20th century. This volume serves as a comprehensive examination of Elizabethan theatre, focusing on various plays, masks, and entertainments of that era, as well as documents illustrating the cultural and critical reception of these works. The text provides critical analysis and references to a wide range of theatrical productions, including both attributed and anonymous works. The opening of this volume presents a structured outline of its contents, indicating a scholarly approach to the complexities of Elizabethan drama. It lists various anonymous plays and masks, showcasing their registration and performance history. Chambers introduces significant works such as ''Arden of Feversham,'' ''Apius and Virginia,'' and more, discussing authorship debates and the context in which these works were produced. This methodical framing sets the stage for a detailed exploration of Elizabethan theatrical practices, inviting readers to delve deeper into the dynamic world of 16th-century performance arts.