The Collectors: Being Cases Mostly Under the Ninth and Tenth Commandments

A collection of stories and reflections on the world of art collecting, likely written in the early 20th century. Through a series of narratives, the book explores the moral ambiguities and eccentricities of collectors and the interactions they have with art, experts, and each other. Each tale seems to examine the tensions between genuine appreciation of art and the pitfalls of greed and deception that often accompany collecting. The opening of the book sets the stage with a foreword discussing the various stories that follow, including a ballade about the sinful nature of collectors, and stories featuring characters like Campbell Corot, a talented but morally dubious picture forger, and a Great Lady whose artful ways entangle an unsuspecting expert. The myriad tales weave together themes of longing, betrayal, and the often duplicitous nature of the art world, hinting at the complexity and varying motivations behind the pursuit of art. As the opening unfolds, readers are introduced to a cast that includes patrons, critics, and artists, each contributing to a rich tapestry of commentary on the cultural and ethical dimensions of art collection.