Playwrights on Playmaking: And Other Studies of the Stage

A collection of essays examining the principles and techniques of drama, written in the early 20th century. The work reflects Matthews' rich experiences from decades of playgoing and his scholarly insights into the craft of playwriting and theatrical productions. The book discusses the relationship between the playwright, audience, and actors, providing readers with an understanding of how various elements influence the creation and reception of dramatic works. At the start of this collection, Matthews introduces his thesis, laying out several theories regarding the nature of drama as an art form. He emphasizes that while the fundamental laws of drama remain unchanged throughout time, their application can differ greatly depending on cultural context and audience expectations. He critiques both the creative and critical roles of playwrights, arguing that the act of playwriting must engage directly with the audience's tastes and sensibilities, a principle observable in the works of historical figures such as Shakespeare and Molière. Matthews aims to enlighten readers on the critical thinking behind playwriting, emphasizing the importance of understanding the audience's role in the theater.