Pisa: De Aarde En Haar Volken, 1887
Pisa: De Aarde En Haar Volken, 1887
A historical account likely written in the late 19th century. The work examines the rich cultural and architectural heritage of the Italian city Pisa, detailing its significance in art, architecture, and history, particularly during the Middle Ages and its influence on European civilization. The opening of the book presents a traveler's journey to Pisa, emphasizing the impression of Italian art upon their arrival. The narrator reflects on their experiences traveling from Lucca and the initial beauty of the landscape, moving towards the monumental sights of Pisa, including the famous Piazza del Duomo and its remarkable structures—the cathedral, the leaning tower, and the baptistery. The text establishes a sense of nostalgia and reverence, as the narrator recalls a previous visit and the memories associated with the city's artistic grandeur, setting the stage for an exploration of Pisa’s past and its artistic achievements. The detailed description of Pisa's historical significance and architectural beauty paints a vivid picture from the very beginning of the account.
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An educated traveler and art historian who serves as guide through Pisa's monuments and history. He demonstrates deep knowledge of Italian art and architecture while maintaining a melancholic appreciation for the city's past glory.
The mysterious architect of Pisa's cathedral, possibly of Greek origin. Known as the 'Daedalus of his age' for his technical prowess in the 11th century.
Revolutionary sculptor born around 1206 who reformed medieval art by studying classical antiquity. Creator of the famous pulpit in the Baptistery, he founded the Pisan school of sculpture.
Son of Nicolo Pisano and architect-sculptor who completed the Campo Santo. More dramatic and realistic than his father, he emphasized emotional expression over classical restraint.
About Pisa: De Aarde En Haar Volken, 1887
Chapter Summaries
- I
- The narrator introduces Pisa as the first true encounter with Italian art for travelers from the north. He provides a comprehensive history of Pisa from Etruscan times through its golden age as a maritime republic to its subjugation by Florence.
- II
- Detailed examination of Pisa's cathedral, built by Buschetto starting in 1063. The author analyzes its Romanesque architecture, bronze doors by Giovanni da Bologna, and interior artworks including pieces by Sodoma and Andrea del Sarto.
- III
- Analysis of the Baptistery and its famous pulpit by Nicolo Pisano, which the author sees as revolutionary in reviving classical principles. Discussion of the transformation of medieval sculpture through study of ancient models.
Key Themes
- Glory and Decline
- The book chronicles Pisa's transformation from a powerful maritime republic to a sleepy provincial town. This theme permeates every description, from the magnificent monuments to the grass-grown streets.
- Art as Historical Memory
- The author presents Pisa's architectural and artistic treasures as living testimony to its past greatness. The Campo Santo, cathedral, and other monuments serve as repositories of cultural memory.
- The Renaissance of Medieval Art
- The book explores how Pisan artists like Nicolo Pisano created a 'renaissance before the Renaissance' by rediscovering classical principles in the 12th and 13th centuries.
Characters
- The Narrator/Author(protagonist)
- An educated traveler and art historian who serves as guide through Pisa's monuments and history. He demonstrates deep knowledge of Italian art and architecture while maintaining a melancholic appreciation for the city's past glory.
- Buschetto(major)
- The mysterious architect of Pisa's cathedral, possibly of Greek origin. Known as the 'Daedalus of his age' for his technical prowess in the 11th century.
- Nicolo Pisano(major)
- Revolutionary sculptor born around 1206 who reformed medieval art by studying classical antiquity. Creator of the famous pulpit in the Baptistery, he founded the Pisan school of sculpture.
- Giovanni Pisano(major)
- Son of Nicolo Pisano and architect-sculptor who completed the Campo Santo. More dramatic and realistic than his father, he emphasized emotional expression over classical restraint.
- Emperor Henry VII(major)
- Holy Roman Emperor (1308-1313) who represented the last hope of the Ghibellines. Died at Buonconvento and was entombed in Pisa's Campo Santo.
- Ugolino della Gherardesca(major)
- Tragic figure who led the Guelph party in Pisa but was overthrown by Ghibellines in 1288. Died of starvation with his sons in the Tower of Hunger.
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Anonymous. Pisa: De Aarde En Haar Volken, 1887. Lex, lex-books.com/book/pisa-de-aarde-en-haar-volken-1887-50eef148-b587-4931-8e82-759bf898414c.Anonymous (n.d.). Pisa: De Aarde En Haar Volken, 1887. Lex. https://lex-books.com/book/pisa-de-aarde-en-haar-volken-1887-50eef148-b587-4931-8e82-759bf898414cAnonymous. Pisa: De Aarde En Haar Volken, 1887. Lex. https://lex-books.com/book/pisa-de-aarde-en-haar-volken-1887-50eef148-b587-4931-8e82-759bf898414c.
