Old Scores and New Readings: Discussions on Music & Certain Musicians

A collection of musical critiques written in the early 20th century. The work delves into historical analyses and opinions on various composers, including well-known figures like Byrde, Purcell, Bach, Handel, Haydn, and Mozart. Runciman's discussions aim to reassess their contributions to music and defend the legacy of composers who he believes have been unjustly overlooked or misunderstood by later critics. The opening of the book begins with an admiration for the English composer William Byrde, particularly focusing on his D minor Mass and emphasizing its beauty and emotional depth. Runciman advocates for reevaluating Byrde's work, arguing that previous judgments have neglected the innovation and expressiveness found in his music, which deviated from later established rules of composition. He contrasts Byrde's artistry with that of his contemporaries and successors, suggesting that his music belongs among the finest treasures of early English composition. This sets the tone for the book, as Runciman promises to explore both the merits and cultural contexts of various historical musicians throughout his ensuing discussions.