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Lusitania: Canti Popolari Portoghesi

1972

Unknown

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Lusitania: Canti Popolari Portoghesi

Unknown

1972

Poetry

Lusitania: Canti Popolari Portoghesi is a collection of Portuguese folk songs, likely compiled in the late 19th century and first published in 1972. This work translates and annotates traditional romances that highlight themes of love, battle, and heroism, reflecting Portugal's rich cultural heritage. The collection begins with an explanation of the origins and characteristics of these folk romances, emphasizing their historical context and significance in preserving cultural narratives.

Project Gutenberg

A collection of Portuguese folk songs, likely written in the late 19th century. The work serves to translate and annotat...

Goodreads

From the #1 New York Times bestselling author and master of narrative nonfiction comes the enthralling story of the sink...

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Lusitania: Canti Popolari Portoghesi
Lusitania: Canti Popolari PortoghesiCurrent
Project Gutenberg · 121 pages (Italian)
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“The track lingered on the surface like a long pale scar. In maritime vernacular, this trail of fading disturbance, whether from ship or torpedo, was called a “dead wake.””

— Unknown

“Man plans, God laughs.””

— Unknown

“I think my thought and imagination contain the picture and perceive its significance from every point of view. I have to force myself not to dwell upon it to avoid the sort of numbness that comes from deep apprehension and dwelling upon elements too vast to be yet comprehended or in any way controlled by counsel.””

— Unknown

“the most likely explanation is that there was indeed a plot, however imperfect, to endanger the Lusitania in order to involve the United States in the war.””

— Unknown

“Undersecretary of State Robert Lansing, number two man in the State Department, tried to put this phenomenon into words in a private memorandum. “It is difficult, if not impossible, for us here in the United States to appreciate in all its fullness the great European War,” he wrote. “We have come to read almost with indifference of vast military operations, of battle lines extending for hundreds of miles, of the thousands of dying men, of the millions suffering all manner of privation, of the wide-spread waste and destruction.” The nation had become inured to it all, he wrote. “The slaughter of a thousand men between the trenches in northern France or of another thousand on a foundering cruiser has become commonplace. We read the headlines in the newspapers and let it go at that. The details have lost their interest.””

— Unknown

“Off the southeast tip of Italy a young Austrian U-boat commander named Georg von Trapp, later to gain eternal renown when played by Christopher Plummer in the film The Sound of Music, fired two torpedoes into a large French cruiser, the Leon Gambetta. The ship sank in nine minutes, killing 684 sailors.””

— Unknown

“Belief in such things was widespread in America and Britain at the start of the twentieth century, when an Ouija board was a regular fixture in drawing rooms, to be brought out after dinner for impromptu séances.””

— Unknown

“NOW FIVE DAYS into its voyage, the Lusitania made its way toward Britain alone, with no escort offered or planned, and no instruction to take the newly opened and safer North Channel route”

— Unknown

“The most terrifying part of battle was the exit from a trench”

— Unknown

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