Commentary Upon the Maya-Tzental Perez Codex: With a Concluding Note Upon the Linguistic Problem of the Maya Glyphs
Commentary Upon the Maya-Tzental Perez Codex: With a Concluding Note Upon the Linguistic Problem of the Maya Glyphs
This is a pioneering work in Maya epigraphy, capturing a pivotal moment in the long struggle to read the ancient Maya script. Written in the early twentieth century when the glyphs remained largely mysterious, William Gates offers his attempt to decode the Perez Codex, one of the few surviving Maya books from the colonial period. Gates combines careful linguistic analysis with archaeological context, methodically working through the codex's inscriptions and illustrations. He discusses the considerable challenges of decipherment, comparing his findings with existing research and acknowledging the profound cultural achievements embedded in Maya writing. The work also celebrates the artistic brilliance of the codex, treating it not merely as text but as a testament to Maya intellectual and aesthetic sophistication. For modern readers, this book serves as a historical document in itself, revealing what scholars could (and could not) understand about Maya glyphs before the major decipherment breakthroughs of the mid-twentieth century.
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Professor and scholar who serves as the primary author and researcher. He meticulously analyzes and restores the Perez Codex, developing innovative methods for studying Maya glyphs including creating type fonts for printing them.
French professor who discovered the Perez Codex fifty years prior in the Bibliothèque Impériale, Paris. He published several editions of the codex and laid the groundwork for its study.
Director of the Peabody Museum who supported Gates' research and provided access to materials. He writes the introductory note praising Gates' contributions to Maya hieroglyph studies.
Scholar who created a card index of glyphs from the three Maya codices and generously shared his materials with Gates, enabling this work to proceed.
About Commentary Upon the Maya-Tzental Perez Codex: With a Concluding Note Upon the Linguistic Problem of the Maya Glyphs
Chapter Summaries
- 1
- Gates introduces the Perez Codex, discovered by Léon de Rosny fifty years earlier in Paris. He details the various editions published and explains his motivation for creating a new, more accurate reproduction with innovative type fonts for Maya glyphs.
- 2
- A detailed analysis of the color palette used in the codex, including technical examination of fading and restoration issues. Gates describes his systematic approach to determining original colors through careful comparison with the manuscript.
- 3
- Gates provides a systematic description of each page of the codex, analyzing the pictorial and textual elements, identifying recurring glyphs and patterns, and discussing the astronomical and calendrical content.
Key Themes
- Scholarly Methodology and Precision
- Gates emphasizes the critical importance of accurate reproduction, careful classification, and systematic analysis in archaeological and linguistic research. He demonstrates how meticulous attention to detail can reveal previously hidden information.
- Cultural Superiority and Artistic Achievement
- The work argues that Maya civilization represents a highly sophisticated culture with advanced artistic, mathematical, and astronomical knowledge that rivals or exceeds contemporary European achievements.
- Language as Cultural Expression
- Gates explores how different linguistic structures reflect distinct modes of thought, contrasting ideographic systems (like Maya and Chinese) with alphabetic ones, suggesting each represents different approaches to understanding reality.
Characters
- William E. Gates(protagonist)
- Professor and scholar who serves as the primary author and researcher. He meticulously analyzes and restores the Perez Codex, developing innovative methods for studying Maya glyphs including creating type fonts for printing them.
- Léon de Rosny(major)
- French professor who discovered the Perez Codex fifty years prior in the Bibliothèque Impériale, Paris. He published several editions of the codex and laid the groundwork for its study.
- F. W. Putnam(major)
- Director of the Peabody Museum who supported Gates' research and provided access to materials. He writes the introductory note praising Gates' contributions to Maya hieroglyph studies.
- Charles P. Bowditch(major)
- Scholar who created a card index of glyphs from the three Maya codices and generously shared his materials with Gates, enabling this work to proceed.
- Dr. Förstemann(minor)
- German scholar who produced an important edition of the Dresden Codex and commented on Maya manuscripts, though Gates notes several errors in his work on the Perez Codex.
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Gates, William. Commentary Upon the Maya-Tzental Perez Codex: With a Concluding Note Upon the Linguistic Problem of the Maya Glyphs. Lex, lex-books.com/book/commentary-upon-the-maya-tzental-perez-codex-with-a-concluding-note-upon-the-lin-2aa24436-9bd8-45bf-8d67-270583b6c9fe.Gates, W. (n.d.). Commentary Upon the Maya-Tzental Perez Codex: With a Concluding Note Upon the Linguistic Problem of the Maya Glyphs. Lex. https://lex-books.com/book/commentary-upon-the-maya-tzental-perez-codex-with-a-concluding-note-upon-the-lin-2aa24436-9bd8-45bf-8d67-270583b6c9feGates, William. Commentary Upon the Maya-Tzental Perez Codex: With a Concluding Note Upon the Linguistic Problem of the Maya Glyphs. Lex. https://lex-books.com/book/commentary-upon-the-maya-tzental-perez-codex-with-a-concluding-note-upon-the-lin-2aa24436-9bd8-45bf-8d67-270583b6c9fe.












