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Captives

Captives

Titus Maccius Plautus

Captives stands as a startling anomaly in Plautus's oeuvre: a comedy that dares to take its subject seriously. While the great Roman playwright built his reputation on farce, wordplay, and irreverent satire, this work grapples unflinchingly with the ethics of slavery and prisoner exchange during wartime. When the elderly Aetolian Hegio seeks to ransom his captured son, he acquires two Elean captives: the noble Philocrates and his clever slave Tyndarus. What unfolds is a tense negotiation of loyalty, identity, and honor where the line between master and servant blurs, and where a prisoner must decide whether to betray his owner to secure freedom for a man who has treated him with unexpected dignity. The play probes uncomfortable questions that resonate across centuries: What do we owe those who hold our lives in their hands? Can honor exist within captivity? And what does humanity look like when stripped of everything but language and choice? Plautus delivers his moral vision with characteristic wit but also with a tenderness rare in ancient comedy, making this essential reading for anyone seeking to understand how Roman playwrights grappled with the human cost of empire.

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Though with some of Plautus's usual comic elements (including people in disguise, clever servant, etc), this is a rare s...

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