Fritz Zorn was the pseudonym of Swiss author and critic, whose real name was Hansjörg Schneider. He gained prominence in the 1970s with his novel "Mars", which is a semi-autobiographical work that critiques the bourgeois values of Swiss society. Zorn's writing is characterized by its sharp wit and incisive social commentary, often reflecting his own struggles with identity and belonging in a conformist culture. His work is notable for its exploration of themes such as alienation, the search for authenticity, and the critique of societal norms, making him a significant figure in contemporary Swiss literature. Zorn's literary significance lies not only in his engaging narrative style but also in his ability to provoke thought about the nature of success and the cost of societal expectations. His candid reflections on personal and cultural identity resonate with readers who grapple with similar issues. Although his oeuvre is relatively small, Zorn's impact on Swiss literature and his critique of the status quo continue to influence writers and thinkers in the region, securing his legacy as a voice of dissent against conformity and mediocrity.
“Whatever exists is inevitably flawed. Buddha, in his detachment from the world, finds all its hustle and bustle ridiculous because he has nothing to do with it. A cynic finds the feelings of his fellow human beings ridiculous because he has no feelings himself. Someone who does not play soccer thinks it ridiculous to chase around after a little leather ball for hours at a time. He doesn't bother to ask whether this game might be a lot of fun. All he sees is the ridiculousness of grown men playing like little boys. People who do anything will no doubt appear ridiculous to people who do nothing. A person who acts can always make a fool of himself. A person who doesn't never runs that risk. We might even say that life is always ridiculous but death is never ridiculous.””
“Mikhaïl A. Boulgakov en a retenu un exemple très lumineux dans Le Maître et Marguerite. C'est dans ce livre que j'ai lu pour la première fois l'histoire du fléau des mouches qui ont tourmenté Jésus sur la Croix. La " tête couverte de sang et de plaies " a déjà été mille fois représentée en paroles et en peinture, mais personne n'a songé aux mouches avant Boulgakov.””
“Je crois que je suis divisé en trois parties. Premièrement je suis fait de mon individualité ; deuxièmement je suis le produit de mes parents, de mon éducation, de ma famille et de ma société ; troisièmement je suis un représentant du principe de vie en général, c'est-à-dire de cette force, justement, qui fait que les électrons tournent autour du noyau de l'atome, que les fourmis fourmillent et que le soleil se lève. Une partie de moi est aussi électron et fourmi et soleil et cela, l'éducation la plus bourgeois ne peut l'abîmer en rien. (p. 295-296)””