“But for some readers, especially Derrida’s closest friends, the allusions to reality at the centre of the ‘Envois’ seemed barely tolerable. Pierre remembers how he recoiled from the work. ‘When The Post Card was published, I sensed how much private life, how many disguised confidences, even how much exhibitionism there was in the book. I had no desire to be confronted with it, at any case in this form, and this no doubt played its part in the fact that I read relatively few of my father’s books.’18””
Derrida: A Biography