Quotes by Henry Mann

“if my memory serves me right, here is my genealogical line: Boccaccio, Petronius, Rabelais, Whitman, Emerson, Thoreau, Maeterlinck, Romain Rolland, Plotinus, Heraclitus, Nietzsche, Dostoievsky (and other Russian writers of the Nineteenth Century), the ancient Greek dramatists, theElizabethan dramatists (excluding Shakespeare), Theodore Dreiser, Knut Hamsun, D. H. Lawrence, James Joyce, Thomas Mann, Elie Faure, Oswald Spengler, Marcel Proust, Van Gogh, the Dadaists and Surrealists, Balzac, Lewis Carroll, Nijinsky, Rimbaud, Blaise Cendrars, Jean Giono, Celine, everything I read on Zen Buddhism, everything I read about China, India, Tibet, Arabia, Africa, and of course the Bible, the men who wrote it and especially the men who made the King James version, for it was the language of the Bible rather than its “message” which I got first and which I will never shake off.””

“Das Wahlergebnis ist daher nie mehr als eine Zweckmäßigkeit. Selbst für das Rechte zu stimmen bedeutet nichts dafür zu tun. Es zeigt anderen Gegenüber nur den schwachen Wunsch, dass es vorherrschen möge.Ein weiser Mann wird das Rechte nicht der Gnade des Zufalls überlassen. Noch wird er wünschen, dass es sich durch die Kraft der Mehrheit durchsetzt. Es ist nur wenig Tugend in der Handlung der Vielen. [...] Nur dessen Stimme kann die Abschaffung der Sklaverei beschleunigen, der seine eigene Freiheit dafür auf’s Spiel setzt.””

“Unfortunately, the truth is that in universities the world over, the tremendous analytical power and insights of market economics are unappreciated. For whatever political or ideological reasons, we have deprived generations of university students of a clear understanding of basic economic forces and their proper role in a free society.””

“Gabriele D'Annunzio (1863-1938) was one of the key figures of decadentism. This turn-of-the-century trend was an outgrowth of romanticism and carried certain features to and past their breaking point. However, the word "decadent" can be used in two ways. One the one hand, it is a fairly neutral term referring to a certain postromantic trend in the arts running parallel and partly covering styles ranging from Pre-Raphaelitism to symbolism, expressionism, surrealism, and so on, and including artists such as Charles Baudelaire, Jovis Huysmans, Paul Verlaine, Arthur Rimbaud, and Stéphane Mallarmé in France, Oscar Wilde and William butler Yeats in Britain, Gerhard Hauptmann and Stefan George in Germany, and D'Annunzio and Luigi Pirandello in Italy. Sometimes the term has been extended to included even Proust, Mann and James Joyce.On the other hand, the word "decadence" has pejorative connotations. Thus works considered decadent can only too easily be considered to actually promote the excesses they depict in such loving detail. And true enough, at its most excessive , decadentism could lead to indulgence in shameless subjectivity and sensuality, a wallowing in the forbidden and the perverse, morbid interest in sickness and death, a flaunting of moral and social values, fierce antireligiousness and arrogant faith in the rights and possibilities of men supoosedly elect because of racial or cultural superiority and threatened only by undecipherable and pernicious women.In any case, decadence in the arts obviously cannot be separated from its social context: bourgeois society heading toward a crisis at the turn of the century.””