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Lipsynching

Lipsynching

Merrie Snell, Michael Bull

About this book

"What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity."--

Details

OL Work ID
OL20742519W

Subjects

Music, history and criticismMusic, performanceLipsynchMusicPerformanceSound recordingsSocial aspectsRock & Pop music

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Book data from Open Library. Cover images courtesy of Open Library.