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Impressionism between art and science

Impressionism between art and science2020

Michel Menu, Edmond Amouyal, Gerard Mourou, Monica Preti

About this book

1820. Painting was undergoing a profound transformation. Representations of reality no longer took precedence over colour. Details were becoming less important and, above all, light began to vibrate, achieving predominance, and announcing Impressionism. In the scientific field, Augustin Fresnel, a young graduate from the École Polytechnique, demonstrated, with the help of his friends André-Marie Ampère and François Arago, that light was made up of waves rather than particles, a theory that ran counter to Newton and all the scientists of the time.

Details

First published
2020
OL Work ID
OL42906447W

Subjects

Art and scienceImpressionism (Art)Criticism and interpretationPaintingTechniqueModern Painting

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Book data from Open Library. Cover images courtesy of Open Library.