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Facing the modern

Facing the modern

Gemma Blackshaw

About this book

During the great flourishing of modern art in fin-de-siècle Vienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects' shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of the First World War. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story, through thoughtprovoking texts by leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka and Egon Schiele alongside those of their predecessors, blurring the conventionally-held distinctions between 19th-century and early 20th-century art. Exhibition: The National Gallery, London, UK (09.10.13.-12.01.14.).

Details

OL Work ID
OL19707653W

Subjects

Austrian Portrait paintingExhibitionsAustrian PortraitsArt, modern, 20th century, exhibitionsPortrait paintingPainting, austrianPortretkunstPortraits, austrianPortraits, austrian--austria--vienna--19th century--exhibitionsPortraits, austrian--austria--vienna--20th century--exhibitionsPortrait painting, austrianPortrait painting, austrian--austria--vienna--exhibitionsNd507.5.p67 b53 2013704.9420943613

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Book data from Open Library. Cover images courtesy of Open Library.