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"The essay of Pedro Ignacio Alonso "Shot the artist" elaborates on the distortion of architectural ideas contained in the preponderance of engraving. The text reveals unsuspected relationships, capable of illuminating perplexing aspects of the theory of architecture, as for example the unexpected obsession of Reyner Banham by the primitive cabin [...] Alonso deals with this story of corruption, patronage and networking (something completely plausible in our days) to recognize the twist that makes Banham in order to create an alternative to architecture." --Extract from the text of André Tavares.