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Francis BaconFrancis Bacon

Francis Bacon

Francis Bacon, Michel Leiris

About this book

An exhibition of Francis Bacon's paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." Twenty-two years later, a lone bull was to be the subject of his final painting. In this publication, authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition.

Details

Publisher
Abscondita
Pages
128
ISBN-13
9788884160997
OL Work ID
OL24522737W

Subjects

Bacon, francis, 1909-1992ExhibitionsCriticism and interpretationAnimals in art

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Open Library
Book data from Open Library. Cover images courtesy of Open Library.