Published in 1904, this pioneering work represents one of the first systematic attempts to catalogue and interpret the divine pantheon depicted in the three surviving Maya codices: the Dresden, Madrid, and Paris manuscripts. Schellhas approached these recently accessible texts with the rigor of a formalist, meticulously cataloguing each deity by visual attribute rather than attempting premature mythological interpretation. The result is an invaluable reference that identified and categorized figures like the Death-God, the Maize-God, and the distinctive God with the Large Nose, establishing a nomenclature that scholars still employ today. What makes this work enduring is not its interpretations, which later archaeology has refined, but its patient visual taxonomy. Schellhas understood that before the gods could be understood, they had to be seen clearly. For anyone studying Mesoamerican iconography, this remains a foundational document: a window into how the first generation of scholars grappled with one of the world's most complex and visually sophisticated mythological systems.
