Poems

Poems
The darkness that would later define Leonard Cline's horror fiction already flickers in these pages. Written when he was just twenty-one, this debut collection reveals a young poet possessed by mortality, beauty, and the thin membrane between the seen and unseen world. These are poems of exceptional formal control for one so young, yet they burn with an urgency that suggests Cline was not writing from safety but from some precipice. The influence of the Romantics pulses through verses that contemplate death with a familiarity most poets only achieve decades later. What emerges is a portrait of an artist already wrestling with the shadows that would make him a master of supernatural dread. For readers who know Cline's later work, these poems function as a kind of origin story, the early incantations of a voice that would help redefine American horror.
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Foon, Nemo, Lynda Marie Neilson






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