A passionate 1913 argument for color in architecture, James Ward mourns the drabness that had settled over modern buildings and traces this decline to cultural forces like Puritanism and the rigid influence of Palladio-style classicism. Drawing on John Ruskin's assertion that true architecture cannot be perfect without color, Ward traces historical European traditions of vibrant decoration and challenges his contemporaries to rediscover chromatic richness. The book functions both as practical guidance for decorators and craftsmen, and as a philosophical meditation on why architecture turned away from color. Ward connects hue to nature and emotional resonance, arguing that thoughtful application of color enhances not just beauty but human experience within spaces. This remains a vital text for design historians, architects, and anyone curious about the lost battle against architectural monotony.
