This book pulses with a quiet urgency: the early twentieth century was watching centuries of needlework mastery slip away. Emily Leigh Lowes wrote in 1908 as the golden age of lace-making was fading, American collectors were snapping up Europe's finest pieces, and English needlecraft was at risk of being forgotten entirely. Her solution was this passionate, deeply knowledgeable guide to the art of lace, from the bobbin laces of Flanders to the point de France that graced royal courts. She walks through the history of these crafts with the eye of both historian and artist, explaining techniques, tracing regional variations, and lamenting the loss of skills that once defined English ecclesiastical embroidery. The book functions partly as a collector's manual, partly as an impassioned plea to preserve what remained in the Victoria and Albert Museum's collections. For anyone fascinated by textile arts, this is a time capsule of craftsmanship on the verge of extinction, written by someone who understood exactly what was being lost.
