Enoch Brater
68 works on record
Works
Ten ways of thinking about Samuel Beckett
The Theatre A Concise History
Beckett at 80/Beckett in context
Approaches to teaching Beckett's Waiting for Godot
Feminine focus
Student Handbook To The Plays Of Arthur Miller Death Of A Salesman The
Arthur Miller's global theater
Around the absurd
The theatrical gamut
Performing Architectures
Arthur Miller's America
Beat drama
Contemporary Drag Practices and Performers
Beckett and Nothing
Performing the Unstageable
Authenticity in Contemporary Theatre and Performance
Howard Barker's Theatre
Drama and Digital Arts Cultures
Theatre in the Expanded Field
Contemporary American Monologue
Social Housing in Performance
Adaptation in Contemporary Theatre
IBSEN in Practice
Spectacles of Conflict on the Twenty-First-Century Stage
Theatre of Real People
Ruth Maleczech at Mabou Mines
Drag Histories, Herstories and Hairstories
Theatre in the Dark
Companion to British-Jewish Theatre since The 1950s
Political Dramaturgies and Theatre Spectatorship
Robert Lepage / Ex Machina
Theatres of Contagion
Rethinking the Theatre of the Absurd
Postdramatic Theatre and the Political
Arthur Miller's Global Theater
Arthur Miller's America
Postdramatic Theatre and India
Performing Arousal
Encountering Europe on British Stages
Mediatized Dramaturgy
Brecht and Post-1990s British Drama
Student Handbook to the Plays of Arthur Miller
Postdramatic Theatre and Form
Utopian Drama
Drama in the Text
Beyond Minimalism
Ten ways of thinking about Samuel Beckett
Why Beckett by Enoch Brater (1989-08-28)
Sarah Kane's Theatre of Psychic Life
Staging Decadence
Brecht in Practice
Death of a Salesman
Beat Drama
Staging Systemic Violence
Feminism, Dramaturgy and the Contemporary History Play
Metamodernism in Contemporary British Theatre
The "absurd" actor in the theatre of Samuel Beckett
Why Beckett
Arthur Miller's Global Theater
The drama in the text
Feminine Focus
Beyond Minimalism
Arthur Miller
Arthur Miller's America: Theater and Culture in a Time of Change (Theater: Theory/Text/Performance)
The Essential Samuel Beckett
The Theatrical Gamut: Notes for a Post-Beckettian Stage (Theater: Theory/Text/Performance)
Dada
Samuel Beckett special number