George Cumberland

The emigrants

Appendix [to Outlines from the antients]

The reformed, or, The captive of the Castle of Sennaar

A letter to Henry Griffiths, Esq. of Beaumont Lodge; from George Cumberland

Remarks on Raffaels colouring

Some anecdotes of the life of Julio Bonasoni, a Bolognese artist, who followed the styles of the best schools in the sixteenth century

On the strata at Whorlbury camp, in Somersetshire

Watercolour drawings by George Cumberland, polymath, made between 1815-1828

Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes

Original tales

An attempt to describe Hafod, and the neighbouring scenes about the bridge over the Funack

The emigrants, or, A trip to the Ohio

[Commonplace book]

Description of some new fossil Encrini and Pentacrini, lately discovered in the neighbourhood of Bristol

Remarks on a new Pentacrinus from Lyme Regis, and a Briarean Pentacrinus

The captive of the castle of Sennaar an African tale

An attempt to describe Hafod, and the neighbouring scenes about the bridge over the Funack, commonly called the Devil's Bridge, in the county of Cardigan. ... By George Cumberland

Happ iness

Outlines from the antients

On the limestone beds on the river Avon, near Bristol

Outlines from the ancients, figures, and basso-relievos

The captive of the Castle of Sennaar

Reliquiae conservatae

An essay on the utility of collecting the best works of the ancient engravers of the Italian school

Reliquiæ conservatæ, from the primitive materials of our present globe

Lewina the maid of Snowdon. A tale. By George Cumberland. With etchings by the author

A poem on the landscapes of Great-Britain, dedicated to James Irvine, Esq. at Rome, by George Cumberland. Written in the year 1780. With etchings by the author

Recollections of Mantua

The marriage of Heaven and Hell

Bromley-Hill, the seat of the Right Hon. Charles Long, M.P.

Reliquiae conservatae, from the primitive materials of our present globe

Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes