James Elkins
1955
48 works on record
Works
Six Stories from the End of Representation
2008
Visual Literacy
2007
Landscape Theory (The Art Seminar)
2007
The Limits & State Of Art Criticism (The Art Seminar)
2007
The State of Art Criticism (The Art Seminar)
2007
Photography Theory (Art Seminar)
2006
Photography Theory (The Art Seminar)
2006
Is Art History Global? (Art Seminar)
2006
Art History Versus Aesthetics (The Art Seminar)
2005
Master narratives and their discontents
2005
Master Narratives and Their Discontents (Theories of Modernism and Postmodernism Inthe Visual Arts)
2005
On the strange place of religion in contemporary art
2004
What happened to art criticism?
2003
Out Of The Darkness
2003
Visual Studies
2003
Stories of Art
2002
Pictures and Tears
2001
Why Art Cannot Be Taught
2001
How to Use Your Eyes
2000
Tremors, ephemera
2000
The domain of images
1999
Why are our pictures puzzles?
1999
Pictures of the Body
1999
What painting is
1999
On pictures and the words that fail them
1998
Our beautiful, dry, and distant texts
1997
The object stares back
1996
Artists with PhDs
Representations of pain in art and visual culture
Beyond The Aesthetic And The Antiaesthetic
The state of art criticism
Art and globalization
Is art history global?
Renaissance theory
Xi fang yi shu shi zhong de Zhongguo shan shui hua
The poetics of perspective
1994
What photography is
Theorizing visual studies
What do artists know?
What is an image?
Visual practices across the university
Chinese landscape painting as Western art history
Prisme
Art critiques
Xi fang mei shu shi xue zhong de Zhongguo shan shui hua
Modern American painting from the NYU Art Collection
Three hours between planes
Michelangelo and the human form